www.louisville.edu/~gtcraw01/expbrds.htm
Updated 10/19/00
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Welcome! Here you can find info on Roland SRJV80 Expansion Boards.


More updates coming soon!



Related Links
Notes
Multiple Reviews & Miscellaneous
SR-JV80-01 · Pop
SR-JV80-02 · Orchestral
SR-JV80-03 · Piano
SR-JV80-04 · Vintage Synth
SR-JV80-05 · World
SR-JV80-06 · Dance
SR-JV80-07 · Super Sound Set
SR-JV80-08 · Keyboards of the 60s & 70s
SR-JV80-09 · Session
SR-JV80-10 · Bass & Drums
SR-JV80-11 · Techno
SR-JV80-12 · Hip Hop
SR-JV80-13 · Vocal
SR-JV80-14 · Asia
SR-JV80-15 · Special FX
SR-JV80-16 · Orchestral II
SR-JV80-17 · Country
SR-JV80-98 & 99 Experience I & II


Related Links:

  • David Peters' Expansion Board Page
  • Faisal Juma's Virtual Orchestra Site
  • Hamony-Central SNAMM'98 Review of the Vocal Board
  • Harmony-Central SNAMM'98 Review of the Asia Board
  • Harmony-Central WNAMM'99 Reviews of Special FX Collection Board & Orchestra II Board
  • Harmony-Central SNAMM'99 Review of the Country Board
  • Kevin Symonds' Expansion Board Page
  • Li'l Chips Expansion Board Page MP3 Demo files, manuals, patch & waveform lists.
  • Li'l Chips Cakewalk INS Files For Expansion Boards
  • Li'l Chips Vocal Expansion Board PatchesA "must have" if you own the Vocal Board.
  • Li'l Chips World Board Instrument Glossary
  • Martin Selway .NAM files for Expansion Boards
  • MOTU Patch List for the Vocal, Asia, EFX & Orch II Boards
  • Orchestral Musical Instrument Range Chart
  • Planet Groove
  • Roland Canada Briefs
  • RolandUS Briefs
  • RolandUS Patch & Waveform Lists
  • Sound On Sound Publications Reviews
  • Synthony's Music
  • The Synth Page of Geir Kilstis Software and patchlists.

    Hey! Wanna know where to buy expansion boards? Check my Music Info Page for links to stores and classifieds.

    Want to share your review? Send them to gtcraw01@athena.louisville.edu.



    Notes:

    Prices:

    US: A listmember reported on 1/14 that Musician's Friend has the boards listed for $199 in their current catalog. Another member said(on 11/6) he bought a Vocal card for $200 (US), includes shipping from Chris Parton at Byassee Keyboard & Sound, 1-800-888-3112, byassee@midamer.net. He said Chris has just about every card in stock. Then there's BPM Music Express, they have expansion boards for $221 with free shipping(reported in Summer '99). Next is $219 at Guitar Center and $229 at Fullcompass. More often though, US retailers will match each others prices.

    Outside the US: Sound On Sound in Japan use to have them real cheap but as of 6/29/99 they're about $212. Many list members have ordered them from SOS without any problems. One listhead reported buying a session board at TomleeMusicLtd. for $1200 Hongkong that's about $120 in U.S. They have a branch in Hongkong, China and Canada. Or you could try The Rolandshop in Belgium. Someone said prices there were around $189 but shipping could be expensive(US is like $38). Be sure to check your countries import tax. That could raise the price if you're taxed upon delivery. ________________________________________________________________________________________________

    Handling Your SRJV80 Expansion Board:

    1) Hold it by the edges. 2) Install carefully and secure to the mounting posts using the special tool that should have been provided with the board(if not, contact the seller or local music shoppe for one). 3) Always replace the compartment cover on your synth. 3) When not in the keyboard, return the board to its packing box to prevent dust from getting into the small contact header. 4) It's not necessary to go to great lengths to ground yourself. Modern integrated circuits have special "circuitry" (diodes) to prevent static discharge from destroying the silicon wafer. However, grounding yourself against the synth casing isn't a bad idea if alot of static is present. ________________________________________________________________________________________________

    Hearing noise with patches in a certain board?

    Do you have this problem? >Since a few days Iīm reconizing some little noise when the patches are fading. >After releasing a key a distorted noise appears for 3-4 seconds. Especially it >is heared with clear and smooth sounds and with quiete piano passages Try reinstalling the board or switching it's order. It may not have a good contact.

    Multiple Reviews & Miscellaneous

    
    
    Subject: Re: [jv1080] Re: B&D S&M 
    Date: Fri, 03 Sep 1999 09:50:19 -0600 
    From: "David R. Green" 
    To: Paul Hodges 
    
    Hi Paul and List
    
    > Yeah, it's particularly suprising because some Roland guy somewhere must
    > have gone to the effort of setting up a split on the keyboard with
    > differnet tone assignments on each range (don't even know how to do that
    > myself). Having put the effort in, you'd think they would want to make
    > the most of it.
    
    >>To be honest, I assumed that everyone with the bass and drums board
    >>would know about the slide sounds further up the keyboard on the six
    >>string patch. I was wrong, and you learned something new - that's neat!
    
    > Perhaps we could start a campaign for all the list members to share any
    > other patch quirks they have found on this or other boards.
    > You know, things that users become aware of through trial and error and
    > over a period of time the quirks become ingrained in our memories. It
    > might never occur to us that others might not know about them.
    
    I have been putting any of this information that I can get
    onto the Li'l Chips web site's SR-JV80 Expansion Board pages.
    
    For example, on the -01 Pop that I own I put additional
    information both on the site and in its Cakewalk INS that
    is not found in the included booklet.
    
    I'm currently going through all of the Exp. pages again and
    updating them with any new info I have accumulated recently.
    
    I would be more than happy to put any of this type of info
    on my site.
    
    Regards,
    David
    ________________________________________________________________________________________________
    
    Subject: Accordeon`s 
    Date: Wed, 1 Sep 1999 17:28:25 +0300 
    From: "Ants" 
    
    Accordeons  withouth  expansions:
    
    www.uninet.ee/~krog/html/Accord.syx
    
    ________________________________________________________________________________________________
    
    Subject: Re: Musete or Accordian Sound 
    Date: Tue, 31 Aug 1999 20:55:30 -0400 
    From: Steven Naylor 
    
    >I am searching a Musete or Accordian sound all over the net, but I still
    >did not found anyone. If somebody haves or knows where to find one, I
    >will be very thankfull. I really don't want to buy a Super Sound Set
    >just to get an accordian sound.
    >
    >Thanks all,
    >
    >Denis A. AltoČ Falqueto
    
    Perhaps you can find a used (or ignored) PCM1-05 Accordion Card for the JV
    series?  Excellent sounds and lots of variety on it - and likely to be a
    lot cheaper than an expansion board.
    ________________________________________________________________________________________________
    
    Subject: Re: [jv1080] Manuals for expansion boards? 
    Date: Thu, 26 Aug 1999 08:37:56 -0600 
    From: "David R. Green"
    To: Mikael Persson 
    
    Hi Mikael
    
    > Hi!
    > I'm wondering what kind of manuals you get when you purchase exapnsion
    > boards, such as orchestral expansion. The reason I ask is that I bought
    > a JV-2080 seconhand with a couple of expansion boards installed, but I
    > did not get any papers at all on any of the boards (documentation on the
    > JV itself was complete, though). I've downloaded the patch and waveform
    > lists from Roland US. Does the expansion boards come with any additional
    > information? Is so, what kind of info is it (do I really need it)?
    
    Check outwww.lilchips.com/roland
    
    I've been putting additional information, demos, and copies of
    the manuals and any disks on the web site.  So far I have only
    the Pop and Vocal manuals.  I'll post the rest as I get copies.
    The manuals come with installation information, patch and
    waveform lists, and sometimes with additional usage/performance
    information.
    
    Regards,
    David
    ________________________________________________________________________________________________
    
    Subject: RE: World, Vocal, Orch II. 
    Date: Fri, 20 Aug 1999 11:16:40 -0700 
    From: "Gore, Shane"
    
    > I have "most" of my Patches memorized to a large degree, however
    > at times I still flip through them and say "gee, I don't remember
    > that cool Patch".   :-)
    
    That happened to me in the worse way.  I needed some good shakers and a
    sitar.  At this time I had the XP30 (presets A-E + Orch, Techno, Session),
    the Bass and Drums, SFX, and Orch2 boards.  I saw the patch list for the
    World board on the Lilchips site and heard the demos and decided to get it.
    To my utter disappointment, the sitar was horrible and almost all the
    shakers were looped.  Later I bought the vocal board to get some good female
    oohs and ahhs.  I was sort of disappointed there as well.
    
    After taking the time to go through ALL the patches, I found all the patches
    I needed on the boards I already owned.  There was a suitable sitar and
    shakers on the presets, and the Orch2 had some great female vocal patches
    (the Mmmms are very usable).  Arg!
    
    ________________________________________________________________________________________________
    Subject: Re: 1080 bulk copies? 
    Date: Fri, 20 Aug 1999 14:36:47 +0930 
    From: David Peters 
    
    Hi Steven,
    
    Steven Naylor wrote:
    > I decided to bulk copy the board contents into user memory
    > (128 patches at a time) and make a library on disk from that which
    > would have all the data and patch names handy.
     
    > I was surprised to find that the bulk copy skipped patches at
    > intervals, so that #128 in User memory was actually something like
    > #135 or so from the board.
    
    > Is this a known problem?  Anyone have a solution for this?
    
    You've actually discovered a 'feature' of the JV-1080.  What it has done
    is bulk copied the JV-80 (& compatiable) patches into the user bank,
    instead of the JV-1080 (& compatiable) patches.
    
    If you look at the piece of paper that came with the Asia and OrchII
    boards, you'll see that there are two patch lists, one for JV-80 synths
    and one for JV-1080 synths.
    
    I'm not aware of a work-around off the top of my head without copying
    each patch into the user bank one at a time.
    
    Cheers,
    
    Dave.
    --
    David Peters 
    http://www.frisbee.net.au/~dpeters/
    Adelaide Hills, South Australia
    ________________________________________________________________________________________________
    
    Subject: RE: Expansion boards - Prices, Voltage, MP3s? 
    Date: Thu, 6 May 1999 13:50:22 -0700 
    From: "Gore, Shane" 
    >
    > I only have the Orcherstral I Expansion Board and I've been
    > thinking of
    > buying some new (of course I could alternatively buy a
    > sampler but they cost
    > a little too much, about 2000$). Well I was wondering about
    > pirices of those
    > boards.
    
    The best price of a new board is about $180 USD.
    
    > This is propably a stupid question but does different
    > electricity-thing
    > (etc. in Finland that is 220V/50Hz in U.S 110/60Hz) have some
    > sort of effect
    > on expansion boards. So can I buy a used card for example
    > from United States
    > or does that work at all.
    
    If the host synth/ module that you bought works with your power then the
    expansion boards will.  The AC cord runs into the synth/ module and then
    gets converted to whatever power requirements the boards need.
    
    > At the end, does anyone have some example mp3-song made with
    > session board.
    > It would be nice hear something what normal people (not some Rolands
    > producer) have made with it. If it's good, I might be
    > interested of buying
    > one (as long it works in Finland)
    
    Check out the Lilchips site: www.lilchips.com.  By the end of this week Dave
    should have an mp3 of EVERY expansion board available for download.  =)
    
    Shane
    ________________________________________________________________________________________________
    
    Subject: Pop, Sessions, Orch Boards. 
    Date: Thu, 24 Jun 1999 16:15:07 -0500 
          
    I haven't been too impressed by a. the stock piano/EP sounds in the
    XP-60,
    b. the piano sounds on the Pop board (except the Wurli), c. the piano on
    the Session board, d. the piano on the Orchestral board. The EP on the
    Super Sound Set is nice and mellow. But, I really
    need a Rhodes that can bark. Given the current slot situation, I don't
    have room for the 60's/70's card (even if I had one.)
    
    Hope this helps -- pj 
    
    ________________________________________________________________________________________________
    
    Subject: Expansion Cards 
    Date: Thu, 24 Jun 1999 05:58:03 -0400 
    From: "Pat Brown" 
    To: 
    
    
    I purchased two expansion cards on Friday (Session and Techno) to fill my
    XP-50 (Experience and Hip Hop).  They were $188 each from 
    http://www.fullcompass.com .  I called yesterday and the sales person told me
    that I bought them just in time.  I guess Roland upped the price on
    expansion boards, and now they cost $229.
    
    Pat Brown
    ________________________________________________________________________________________________
    
    Subject: Expansion Module series 
    Date: Tue, 01 Jun 99 08:46:28 -0400 
    From: pj
    To: jv1080@admin.emccta.com
    
    Yep, the module series (M-BD1, etc.) have been discontinued. The large
    chains have been blowing them out. Musicians Fiend, I mean, Friend ;-)
    even had the M-BD1 for $199USD. That seemed to be the standard blow-out
    price in the USofA.
    
    I think the JV-1010 effectively replaces the expansion module series.
    The retail price of a -1010 plus an expansion board comes to roughly the
    equivalent price of an expansion module. Full XP compatibility aside,
    the -1010 offers 64 tone poly vs. 28 tone poly and has EFX.
    
    The expansion module series offered a few interesting features, tho'.
    The M-BD1, for example, can be put into a GM/GS-compatibility mode with
    reasonable patches selected on certain channels. Seems like this would be
    handy for beefing up GM-based sequences.
    
    If you can find one cheap, they're fun to play around with. One of these
    days, I'm gonna try to run some RPS rhythm tracks from the XP-60 into the
    M-BD1 for jammin'.
    
    No, they don't have an expansion board inside. I took mine apart and the
    ROMs are soldered to the main circuit board. Bummer.
    
    I've seen used modules around on the Web, but usually at an
    overinflated price. Caveat emptor.
    
    -- pj 
    ________________________________________________________________________________________________
    
    Subject: Re: jv1080-digest V2 # 
    Date: Sun, 30 May 1999 04:43:51 EDT 
    From: Veblen2
    
    Greg wrote:
    I have the Dance expansion board.  It has rhythm sets at patches #149-#155.  They 
    are not full rhythm kits though.  They only have bass, snare, hihats, clap and 
    woodblocks.  They also don't seem to have the volume or punch the rhythm kits 
    have.  Of course, that perhaps could be remedied with effects tweeking.  Many
    boards also have rhythm menus in patch mode.  For example, hihat or snare menus.
    
    >>Hi -
    >>Do the rhythm sets in the expansion boards usually have a full set of
    >>drums? Or are they limited to 4?
    
    >  A lot of the expansion boards have Rhythm sets at various
    >  Patch locations, normally referred to as a "Set".
    >  You can assign this Patch to any Part and play it as a
    >  Rhythm kit.
    
    ________________________________________________________________________________________________
    
    Subject: Logic Audio "objects" for JV/XP 
    Date: Mon, 19 Apr 1999 23:39:27 +0200 
    From: Charlie Mulholland 
    
    > Does anyone know where to get Logic Environment Objects for
    > > JV/XP, specially for JV expansion boards?
    >
    
    These are available at an ftp that can be accessed via the Logic Users
    Group web site (I can't remember the ftp address but it is easy enough
    to get there).  The address is:
    
    www.mcc.ac.uk/~emagic
    
    I think that this has the JV expansion boards.
    
    I agree that you should consider investing in Sound Diver which is very
    good once you get used to it and makes editing easier.  The manual is
    okay but it is a bit of a problem to set up at first.
    
    ________________________________________________________________________________________________
    
    
    Subject: Re: Expansion Cards Price in Canada 
    Date: Tue, 20 Apr 1999 09:08:58 -0500 
    From: Greg 
    
    That's Long & McQuade at
    www.long-mcquade.com
    
    Gore, Shane wrote:
    > Yep, believe it or not - it was CDN dollars.  I wouldn't believe it myself
    > but I saw the price tag and had the guy double check.
    
    > > > please provide contact details.  $269 is a fantastic price (in Canada, eh).
    > > >
    > >
    > > Is that price quoted in Canadian dollars?
    > > Many Canadian dealers quote prices to U.S. customers in U.S. dollars.
    
    ________________________________________________________________________________________________
    
    
    Date: Fri, 05 Mar 99 09:35:58 -0500 
    From: pj
       
    Hi Edward --
    For folks in the States, the latest Guitar Center brochure has expansion
    boards at $219 (same as zZounds, for example.) The cheapest around right
    now seems to be Full Compass at $185. I haven't seen word one on availability
    of the new boards. Anybody ask Toshiyuki at Sound On Sound wus'up?
    
    -- pj 
    ________________________________________________________________________________________________
    
    Date: Wed, 24 Feb 1999 11:34:01 -0500 
    From: David Mikautadze 
    
    Hello all,
    
    You can find ALL the expansion boards for $185 at
    Fullcompass.
    The web site shows the list price but if you call them and ask the for
    their price it will be $185+shipping. I got the Vocal board for $209.69
    which included 2-day delivery and Saturday delivery, meaning that if
    they UPS it on Thursday they will delivery it on Saturday instead of the
    next business day which would be Monday. So far this is the best deal
    I've been able to find anywhere.
    The phone # to Fullcompass is 1-800-476-9886 and it's never busy, but
    maybe now it will be  :)
    Go ahead expand your brains out.
    
    Later,
    David
    
    ________________________________________________________________________________________________
    
    
    Subject: Re: Card Order 
    Date: Thu, 08 Apr 1999 10:16:54 -0500 
    From: Greg 
    
    Zenon M. Feszczak wrote:
    > Does card order matter in the JV modules?
    
    Ola!  Nope.  Card order does not matter.  My guess is that the cards are
    referenced by some identifying number that the keyboard searches for.
    Adios!
    
    
    ________________________________________________________________________________________________
    
    Subject: Re: [jv1080] Card Order + New Boards 
    Date: Thu, 8 Apr 1999 12:42:08 -0500 (CDT) 
    From: A Wandering Soul 
    To: Jason Lifton 
    CC: jv1080@admin.emccta.com
    
    
    On Wed, 7 Apr 1999, Jason Lifton wrote:
    ->That's strange that your sequences still worked.  As far as I know, the
    ->JV refers to the cards as "XP-A, B, C, and so forth."  Thus, changing
    
    Yeah, I was surprised and hopeful that after switching my
    boards around that my sequnces would still refer to the correct boards and
    they sure did.  tyhe reason I switched my boards around was because I was
    getting a terrible resonant noise on a bunch of my patches on the
    Session board after holding the note down for more than 8-10 seconds.  I
    thought maybe a poor contact and thus swithched board order... all's fine
    so far.  Anyone else experience this before?
    
    Jesse.
    
    ________________________________________________________________________________________________
    
    
    Subject: board order 
    Date: Thu, 08 Apr 1999 17:32:34 -0400 
    From: Doug
    To: jv/xp mailing list 
    
    Listers:
    > - ->That's strange that your sequences still worked.  As far as I know, the > - ->JV refers to the cards as "XP-A, B, C, and so forth."
    > Yeah, I was surprised and hopeful that after switching my
    > boards around that my sequnces would still refer to the correct boards and > they sure did.
    
    I asked this same question a while back on the list. Ben Tubb
    enlightened me by pointing out that the expansion boards themselves have
    id's, so it doesn't matter which expansion slot they're in as long as
    you are not using the CC/PG-method of calling up the patch into a
    performance part.
    
    I had downloaded some of Greg Tuby's sequences (with performance sysex
    at the beginning), and although his boards were in different slots, the
    sequences still played fine on my XP50. As long as the same boards are
    installed, the sysex will find the patches.
    
    doug
    
    ________________________________________________________________________________________________
    
    
    Date: Fri, 26 Mar 1999 22:53:49 -0600 
    From: "Pavel A. Fomitchov" 
    
    Hello everyone!
    Maybe you remember my early post about lack of high frequencies in songs
    recorded usinf Orchestral and Super Soun Set.
    
    Today I had a chance to measure the frequency content of my XP50 output
    playing my favorite patches from Orchestral and Session boards. I was
    playing a middle C and looking on real time spectrum analizer (thanks Youry!).
    
    Verdict: Orchestral strings samples have almost nothing above 8-10 kHz
    (even with all filters set to OFF). Session strings samples have much
    better defined highs up to  16-20 kHz.  So, its time to upgrade the old
    favorite (Imean Orchestral board) for something new. Sampler + nice
    collection of samples?
    
    Pavel
    _______________________________________________________________________________________________
    
    Date: Wed, 24 Jun 1998 21:01:17 -0500 
    From: "alan.richards" 
    To:  Miguel Rafael Allende Cuellar 
    
    >Hi, I want to buy an Exp. Board but it would be
    >interesting if you can tell me your XPerience with
    >some of them, this is to make a better decision.
    
    I think that the Super Sound Set deserves a good mention, too. I have both
    the Pop and the Super Sound, as well as the Session and the World.
    
    Pop is very good but not outstanding, but I'm glad I ahve it... rounds
    things out... but if I need to get rid odf a card, it would be the first to
    go, becuase of the other cards I have.
    World is specialized, but there are a lot of usable sounds on it. Not good
    as your only expansion, but very intersting.
    I had Techno, it is very cool, but I'm not so into Techno to keep it.
    Super Sound Set has very nice electric pianos,harpsichords,. harp rolls,
    archestra hits and sounds, and good steel string guitars. I like it a lot...
    in some things, better than session.
    Session has the best acoustic pianos, nice strings, great nylon string
    guitar, good mmmms and a lot of other stuff that I think is a waste of
    space... that's just me, though, the good stuff on this card is VERY good.
    I also had vintage. Another goodie, but for my needs, I could cover enough
    vintage sounding things  without needing a card dedicated to it.
    Hope that helps...
    
    Alan
    ________________________________________________________________________________________________
    
    Date:Thu, 10 Sep 1998 05:43:41 -0500 
    From: "Benjamin Tubb" 
    To:   
    
    >I used to make techno, but nowadays I am more into the ambient and
    >hiphop/triphop stuff.
    
    Then for ambient stuff I most recommend the Vintage Synth board (SR-JV80-04),
    and for hiphop certainly the Hip Hop Collection board applies well IMHO.
    
    >I want to have some "real" drums and basses, but also some strange
    >stuff...is it on the hiphop xpansion board.
    
    The "best" drums and basses are on the Bass&Drums SR-JV80-10 expansion board.
    The "strangest" stuff is contained among the Dance (-06), Techno (-11), and Hip
    Hop (-12)board (and depending on your point of view, the World board ).
    
    I'm sure that the new SR-JV80-13 Vocal board would also be great for ambient
    moods too.
    
    -------------
    Benjamin Tubb
    _______________________________________________________________________________________________
    
    Date:Mon, 30 Nov 1998 12:05:49 -0500 
    From: Greg 
    To: yves belanger 
    
    Greetings!
    
    yves belanger wrote:
    > - Now From what I understand, the KeyBoard60's70's
    > and the Vintage cards are in a way linked to the same
    > context. Is it worth owning both of these cards or is there too
    > much ressemblence?  ( maybe there's none I'm just not sure )
    
    Well, not really.  The 60s/70s patches are more organs, Wurlies, Rhodes,
    and things like that.  The Vint. Synth is more synth stuff like leads,
    moogs, 70s & 80s synth type patches.  The Vint Synth does have a few
    organs but not many, and only one or two Rhodes/Wurly patches.  Go to
    http://home.sol.no/~gkilsti/sjv_list.html  and compare the patch lists.
    
    >
    > - For the session board.  The session is "a bit of everything"
    > type card.  For someone who owns the 5 cards above, do they
    > cover enough material to make the session not worth the $$$?
    > How much of the patches will still _really_ be worth it.
    > Any opinions on that?
    
    I have the Sessions, Dance, Techno, Vint Synth, 60s/70s & Exp. I
    expansion boards.  I think the Sessions does complement the others very
    well.  It has some nice strings, choirs, horns/brass, guitars, basses
    from patches 1 thru 99.  Then from 100 to to 230 it goes into some newer
    electronic pop type stuff.  Patches 231 to 255 are demos.  It also adds
    several different rhythm kits that are nice.  Check out the above
    website for patch listings of the Sessions board.
    
    By the way, did you know about the
    
     New World Collection "Asia" Board?
    Sorry if I've just made your decision more difficult.  Adios!
    
    -Greg 
    
    ________________________________________________________________________________________________
    
    Hello Cleber --
    
    "Which is the best one?" The answer, of course, depends on what kind of
    music you would like to compose or perform.
    
    I arrange/play church music which ranges from traditional (orchestral
    arrangements) to gospel to something resembling contemporary pop. I'm
    currently using the Orchestral, Vocal, Super Sound Set and Session. I've
    also got a Pop in my JV-90, but that is not getting much use these days.
    
    Orchestral. The woodwinds (including French horns) are quite good and
    playable, really the best stuff on this board. I can't live without them.
    The flute, by the way, uses the internal waveform with all of its weaknesses
    apparent. Some of the string section patches and percussion are usable in
    arrangements. But, I find the brass (especially trumpet and trombone)
    to be quite unrealistic. I blend the flugelhorn with French horns and get
    something that I use quite often for mellow horn section parts. The solo
    strings seem too processed and have too much vibrato although the viola
    can sometimes carry a solo line. I'm anxiously awaiting the Orchestral II
    board with my fingers crossed. With the current repetoire, I can probably
    exploit the Celtic instruments on that card as well.
    
    Vocal. Nice card for airy pads. I work with a pianist that uses the full
    expressive range of an acoustic piano and sometimes this is the only board
    that can give me an ethereal pad light enough for her quiet passages. I've
    got a partially completed arrangement of a Soweta-style Gloria using a bit
    of the jazz scat, so don't say you "Can't do that in church!" ;-)
    
    Super Sound Set. I'm pleased with this board. I'm currently finishing a
    gospel piece which uses the blues and jazz guitars and soft sax from SSS.
    Soft sax is carrying the melody line and I have no doubts about giving it
    such a prominent place in the mix. I will definitely be using the acoustic
    guitar patches in some "folky" arrangements. The "Baroque" instruments were
    quite handy during the Christmas season and I rate the harpsichord and organ
    flutes quite highly. Other sounds I like on this card are the Rhodes pianos,
    trombones and accordion. The orchestral effects sound muffled and both
    the orchestral effects and harp scrolls tempo shift with pitch. The scrolls,
    horn rips and falls sound nice, though.
    
    Session. This is not my favorite card. But, there are some nice usable
    sounds here like the orchestra strings, nylon guitar and accordion. The
    sax, trumpet and flute could be used in certain specific musical situations.
    The flute has the vibrato sampled in and can be used in uncluttered arrangements
    where the vibrato does not clash with other elements. In situations where
    you would like to double another instrument with it, it clashes too much.
    I just can't make use of the electric guitars and electronica waves in the
    current repetoire. Finally, I tried working up some solo pieces with the
    "acclaimed" (by whom?!) piano, played them in public, and threw up. Sorry,
    never again. I'm using plain ole Nice Piano and Classique for sequencing.
    
    Bottom line:
        Orchestral -- Wait and compare it with the announced Orchestral II
        Vocal -- Try before buy. High quality for what it does
        SSS -- If it fits your repetoire, it's pretty useful
        Session -- I love to pick faults with it ;-)
        Pop -- Actually, still quite useful (woodwinds, Wurly, soprano sax)
    
    I'm also going to give the World a try. The boards most likely to be replaced --
    the Session followed by the Orchestral, but only if the Orch II is better. The
    Pop will regretably be retired due to too few slots.
    
    -- pj 
    
    ________________________________________________________________________________________________
    
    Date: Thu, 18 Feb 1999 15:05:07 -0600 
    From: JAMccoy 
    To: "jv1080@emccta.com" 
    
    I own the Orchestral, Vocal & Session cards. I have never used the other
    available cards so take my words with a grain of salt.
    I play/work at a contemporary church & church financed recording studio.
    I also do a large amount of secular playing/recording.
    
    Session- The acoustic guitars I use heavily. Brings tears to the
    congregation when I play incidental music behind the prayers with AC
    guitar & strings.
    Some nice useful elec. guitars as well- but overall....ehhhhhhhhhhhh.
    Not a board worth stealing the kids lunch money to buy. Grade: C
    
    Orchestral- I read an interview in Keyboard magazine once where some big
    shot film composer only used the Orchestra board on all his soundtracks.
    
    I have an old E-mu Orchestra module that I find myself depending on more
    than the JV Orch board. Too much processing. At least the E-mu is raw &
    honest, ya don't have to scrape off layers of thick 'verb to hear what
    the heck is going on like I have to do with the JV board. In light of
    the available technology when this board was created, I think the
    quality could have been much better. Grade: B-
    
    Vocals: Where's the girls?????? Beautiful male samples, very limited but
    high quality content. Why Roland completely forgot female vocals on this
    card is baffling!
    The jazz set could have been perfect had female vocals been worked into
    the upper registers, as opposed to the 'munchkinization' of the male
    vocalist.
    The 'Amen' and 'Alleluia' are cool the first few times, but I really
    think that the limited memory on that card could have gone to MUCH
    better use (i.e. female vocal oohs & ahhs!!). The male opera singer
    sample was a great idea that seems to have been half heartedly thrown in
    as an afterthought. Where's the rest of the it?
    
    I stopped buying these cards after the third one and bought a Korg N1R
    instead. Smart decision.
    Roland needs to do a better job with these cards IMHO. Lots of sizzle
    but not enough steak on these cards.
    
    For what it's worth.
    
    Jake
    
    ________________________________________________________________________________________________
    
    Date: Sun, 28 Mar 1999 05:17:56 -0500 
    To: jv1080@admin.emccta.com
    From: "George Guerrette"
    Subject: Re: JV-2080 vs Sampler
    Date: Sat, 27 Mar 1999 17:17:59 EST
    
    William F Fosbury wrote:
    >I bought a JV-2080 about 10 months ago, am happy with it and am
    >only using about 20% of its capabilities.
    
    --snip--
    
    >Question
    >
    >1: If one KNEW that one was going to fully populate the JV-2080,
    >   would one be better off investing in a sampler?
    
    What's playing the other 80% of your sounds? Or do you use a certain
    selection of sounds all the time? In any event, it doesn't matter
    because if you do not own a sampler at all, I STRONGLY urge you to get
    one. Samplers and ROM wave playback-only machines (such as the JV and XP
    boxes) are really apples and oranges; different types of beasts with
    different strengths and weaknesses.
    
    The JV/XP boxes have to be the best sounding ROM boxes I've heard and
    the expansion cards that you can put into them provide a formidable
    arsenal of VERY GOOD to EXCELLENT sounds, all instantly available. A
    sampler offers opportunities and flexibility that any ROM box just
    cannot offer, though.
    
    For example, the Session card for the JV/XP has to accommodate all it's
    sounds within a maximum of 16 megabytes of ROM memory (or possibly
    less). Now, I don't know how much ROM memory on that card has been
    allotted for the acoustic piano on that card but considering that other
    waveforms are in there too, you might be playing maybe a three megabyte
    piano sample. This is just a guess but my point is that with a sampler,
    you could load in a fantastic SIXTEEN MEGABYTE (OR MORE!) acoustic piano
    instrument that blows the doors off the session card's piano... and I
    like the Session card's piano, too! I have a glorious 24mb string sound
    that I use on my Emu E4x that I could NEVER use on my 1080 and the
    strings, both internal and on my orchestral card, cannot touch it.
    That's not saying the Roland strings are bad... it's just that these
    strings are THAT MUCH BETTER. With a sampler, you could take advantage
    of the HUGE world of sample disks, an option that is out of the question
    with any ROM box. I won't even get into the benefits of using kit or
    percussion loops verses sequencing drum tracks using individual drum
    hits.
    
    The way I worked before I had my E4 and since I've had my E4 says it
    all: with my old Ensoniq ASR-10 sampler with 16mb of memory, I would
    start by building a sound palette for a song on my 1080, then turn to
    the ASR-10 to fill in the gaps that the 1080 couldn't handle. Now with
    my E4x with 128mb of ram and 32 midi channel reception, I start with IT
    FIRST and call upon my 1080 second.
    
    Don't get me wrong, I love my 1080! I really, really love "Longing" and
    the french horns on the orchestral card are great, too. The orchestral
    card offers a wide variety of well programmed ensemble string sections,
    however the 1080 (and any ROM box) is an apple and the E4 (or any
    sampler, but I've heard many reports that the new Akai's are miserably
    buggy) is an orange. Get a sampler to balance out your sound
    capabilities. It costs more to build the library to be sure. Just do
    what you can and buy wisely. Find a good music store that has CD
    jukeboxes with these sample disks in them or hit the distributer's web
    sites or order their free demo disks and have a good listen.
    
    HTH.
    
    GG
    ________________________________________________________________________________________________
    
    Date: Wed, 6 Jan 1999 11:40:19 -0500 
    From: Mike
    To: jv1080@emccta.com
    
    I currently have Session, Bass and Drum, Orchestral and Experience 2
    boards.  I am going to probably get the 60s/70s board and take out the
    Experience board.  Then I am out of slots (I have an XP-80).   I am a
    guitar player (jazz, blues, etc) and I got the keyboard for composing and
    home recording, sequencing, and I said I wasn't going to get carried away
    witht he keyboard thing, but now I am out  of slots already.  If I had more
    slots, I would probably get the vintage and world boards.  I use the XP-80
    in combination with a VS-880, it's amazing what one can do with this combo.
    
    What kind of boards would I like to see?  I would like a dedicated piano
    board with only acoustic piano on it.  That way they wouldn't have to cut
    corners.  If they could just fit a few waves with every note sampled maybe
    with different velocities (p, mf, f, etc) that would be cool.
    
    At some point, though, what you really need is a sampler.  Most of the
    other major synth architectures allow you to load new sounds from a CR-ROM
    (Kurzweil, Yamaha, Korg Trinity I think).  I think the rumoured new
    architecture that combines the JV with the S series sampler would adress
    that.  What would be great is 8 expansion slots plus the ability to load
    samples and store them on a SCSI hard disk.  Isn't the vaporware XP-100
    supposed to do this?
    
    This would also allow the use of drum loops as an alternative to building
    them yourself using one shots.  The loops on the B&D board are just teasers
    really.  There are a limited number of them and no variations and they are
    mono as well.  I started writing a tune using the BW Latin patch and
    thought it would be kind of cool to have lot's of loops like this with
    minor varitations, different fills etc.  On the one hand, you lose some
    control with loops, but on the other hand you can get a good feel if it's a
    really good drummer.  On the other hand, a real drummer is best for what I
    do anyway, but I can't record drums in my apartment.
    
    As far as a guitar board is concerned, well being a guitar play I don't
    need anything like that and of course believe that guitar can never be
    emulated by a synth! :-)
    
    Someone asked about people doing smooth jazz.  I wouldn't call what I do
    smooth jazz but some if it is "contemporary" sort of in the Pat Metheny
    genre.  I find that the B&D board is indispensible to me.  The drum sounds
    are so much better than the internals and there are so many more choices in
    terms of bass.  I use a lot of the John Patatucci  sounds for some reason
    they work weel for me.  I like Soft Acoustic (or whatever it's called) and
    the P bass and 6 string bass sounds.  For drums I mostly use Natural Set.
    I got rid of all the random and alternate pan depth stuff (how annoying,
    why do they always do that) and saved it in my user bank.
    
    Other sounds I use are the Session St. Concert, which I like better than
    the internal sounds despite the weird artifacts (you can't really hear them
    in a mix).  For electric piano, I currently use the Dyna Rhodes 1 from the
    Experince board (orignally from the Piano) but I guess I'll get the
    60's/70s.  For synth EP I like Dig Rhodes and some of the other internal
    patches around there.  I also use some organ patches on the Experience from
    the 60s, 70's I think Sly and the Family B which allows you to switch
    between slow and fast leslie.  I switched it to always use the FL wave
    which is an actual sample of a leslie.  (To nit pick, this leads to
    theoretically innacurate results since they havn't sampled every note so
    the leslie is on different speeds for different notes, also if you hit
    different notes a different times they are not rotating together.  However,
    it seems to sound OK anyway).
    
    For string I use Warm Strings, Demo Str 2 (Session), and Rosin Pad, Vlns
    and Violas and Rich Strings form the Orchestral board.  For strings I muck
    around with the panning and volume of the individual waves and maybe the
    decay, otherwise there I use them pretty much stock.  Also some string
    patches set coarse tune to -12.  I get rid of this to make it easier to
    compare string patches.  If there is a guitar (a real one in my case) or
    some other melody instrument in the center, if find that string patches
    work well with the individual waves panned hard left and right (e.g. Rosin
    Pad is violin sect and cello sect).
    
    I also use Square Lead (Lyle Mays imitation), Ambiant Vibes and Blues Harp
    to double the melody of the guitar sometimes.
    
    Sorry for the long post, I havn't posted for a while so I did a core dump.
    
    Regards,
    Mike
    
    ________________________________________________________________________________________________
    
    Date: Sun, 12 Jul 1998 20:43:39 -0700 
    From: Nathan Sheldon 
    To:   Christophe Gauthron 
    
    Hi Christophe.
    
    >I posted this question earlier - but it wasn't stated
    >very clearly- sorry if I bore you again with this:
    >Roland almost systematically supplies A,B,C waveforms
    >for each sound.
    
    ...
    
    >Someone suggested that waveforms A,B,C actually are
    >the same sound, but with different loop points.
    >I researched on the Roland web site and other sites. Nothing.
    >How can I get an explanation from Roland?
    
    I don't think the loop points change with the respective A, B, C, etc.
    waveforms, but I've been told by soneone else who was on this list (don't
    remember their name) that, as with Roland's sampler collections, the A, B,
    C, and so on are the same sampled waveforms with _different_ split points.
    For example:  say there are 3 samples in a waveform (there are usually more
    than just 3, but we're talking hypothetically right now).  In the A
    waveform, the split points (the key on the keyboard where a new sample is
    played back) are at, say, C4, A5, and F5.  In waveform B, the split points
    may be at, say, A4, E4, and B5.  And in waveform C, the split points would
    be something different.  I believe this is done so a sythesis programmer
    can simulate a stereo sample with a mono sample by assigning, say, waveform
    A to the left channel and waveform B or C to the right channel.  That way,
    when a key on the keyboard is pressed, two different samples will play, one
    on each channel, simulating a stereo sample, when in reality, all the same
    samples are used for both channels but just at different places on the
    keyboard for each channel.
    
    As for getting confirmation of this from Roland, all I can say is be
    prepared to wait a year or two, or to not receive any response whatsoever
    (that is, providing you can even get ahold of them; Roland US is notorious
    for being evasively difficult to contact for such technical inquiries).
    
    Regards,
    --Nathan
    
    
    
    
    

    SRJV80-01 Pop

    Subject: Re: [jv1080] Pop vs. Session vs. SuperSoundSet Date: Wed, 25 Aug 1999 17:40:50 -0600 From: "David R. Green" Hi Shane > Hey everyone, > Given the choice of one of the above, which one would you choose and why? > I'm thinking about some gear changes and might buy the Session board but I > recall someone on this list suggested that the Pop board was very much like > the Session. Just thought I'd throw in my 2 cents... Most people on the List agreed that the Pop was the second worst board next to the Piano - but I picked one up and I really like it. I would probably bet that people now may say Piano then Vocal then Pop. :-) The things I found with the Pop were: - A few of the waveforms sound 100% identical to the Super-JV internal waves. This is probably because the Pop was developed before the Super-JV, so some of the waveforms may have been integrated into the Super-JV set. The Clarinet, Oboe, Bassoon, etc. sound identical. - As with the Vocal Board, there are too few Patches on the Pop. Only 145 Patches. They easily could have made 255. Patches 142-145 are drum sets, which is handy, but you already have the #10 B&D anyway. - None of the Patches use the EFX. This can be both good and bad. This is because again, it was developed before the Super-JV. Less hassle in Performance mode though. :-) - Many of the waveforms are welcome additions to the Super-JV Internals - the Saxes are good, you get a Wurly piano, nice choirs, nice guitars, and some cool pad/effect waveforms. It also adds 4 drum menu/sets. Although I've not got both, I'm betting the Session has better quality sounds, although fewer. >From the MP3 demo, the Session's Grand Piano and Nylon Guitar are much better than the Pop Grand etc., although the Pop Grand is still better than the Super-JV internal (the List concensus was that the Pop Piano was #2 behind the Session). I have an A-series Controller with VE-RD1 though, which the Session piano was _based_ on, so I have a better piano than it anyway. The Session Choir sound is way more cool than the Pop's, but the Vocal Patch set I made has some sounds like the Session's. Looking at the Waveform lists, the Pop has a wider variety of waveforms covering a broader range of instruments. Personally, I'm getting both. I got the Pop first because I picked it up from a music store blow-out sale for $190CDN ($125US). The SSS was created from the old discontinued PCM Cards that plugged into the front of the synths like the JV-1080. Again, the Pop looks like it has a wider range of waveforms. Both the Session and SSS have more preset Patches than the Pop. For me, it would be a toss-up between the Session or Pop first, then the SSS at number three. As mentioned, I am pleased with the Pop. Regards, David ________________________________________________________________________________________________ Subject: Pop or Session Date: Tue, 20 Apr 99 11:06:19 -0400 From: pj To: bstaggs Hi Billy -- Actually, we just *love* to discuss expansion boards! I have both the Pop and Session. The piano on the Pop is not bad, but I find it to be too bright/brittle. Just to set a reference point, I find the stock "Classique" to be about right for a piano with a darker tone. There is a darker piano patch on the Session which is like "Classique." Pop expansion board strengths are: * Nice woodwinds (much better than the stock waveforms) * Good saxes (and it has the *only* decent Soprano sax) * Decent EPs (especially the Wurly for that "barky" EP sound) * OK acoustic guitars * Variation on stock strings (the board adds a different attack waveform) Weaknesses: * Ethnic instruments (accordion not as good as Session or Super Sound Set) * Pads (too "hoked up") Session board strengths are: * Good saxes (mainly tenor, slightly jazzy) * Good nylon string guitar (could use more variety though) * Really good strings * Playable accordions * Playable brass (possibly the best R&R brass in the Roland series) * OK piano (but, I'm *really* down on sampled piano in general these days) * Nice flute (but, the vibrato is sampled in and can't be eliminated) Weaknesses: * Too much electronica for folk to light rock styles * Doesn't add anything to cover basic orchestral instruments (oboe) * Choir is OK, but I've been spoiled by the Vocal expansion board You may find that the best of the Pop (woodwinds in particular) will be covered quite adequately by the Orchestral (or II) when you get it. I guess a lot depends on the other instruments that you need to cover your song repetoire. I guess it would be helpful to hear more about that. I've also found the Super Sound Set to be a good value, but again, it depends on what else you need to do the job. The SSS provides more variety in acoustic guitar, for example. Hope this helps, but would like to hear a little more. -- pj ________________________________________________________________________________________________ Ben Tubb wrote: Pop Board (SR-JV80-01) ====================== 224 waveforms 145 patches Among which are: 4 MENU patches for drums (142-145) 6 MENU waveforms for drums (219-224) 7 grand piano waveforms (1-7) 6 Wurlitzer electric piano waveforms (8-13) 4 electric piano waveforms (7, 14-16) 9 clavinet waveforms (17-25) 11 organ waveforms (26-36) 1 Chapman Stick waveform! (43) 7 electric bass waveforms 3 acoustic bass waveforms 12 guitar waveforms (54-65) 66 drum waveforms (153-218) 3 trumpet waveforms (86-88) 4 flute waveforms 82-85) 3 flugelhorns! (89-91) 9 sax waveforms (98-106,113-115) 3 choir waveforms (126-128) 10 string waveforms (116-125) 3 santur waveforms (76-78) It has some good general waveforms and patches. Among my favorites are the guitar, basses, saxes, accordion, tabla and tuba. On the "negative" side, it has the second fewest patches of all of the boards. The Piano only has 111. And when it came to "make room" in my eight slots (JV/XP) to install my newest B&D board, I chose to "pull out" the Pop board until I get a JV-2080, since I considered the Pop board to be the most "expendable" ;( Benjamin Tubb ________________________________________________________________________________________________ Subject: Re: Expansion Boards Date: Fri, 17 Oct 1997 08:44:33 +0100 From: Patrik Markusson To: jv1080@emccta.com CC: "Eduardo B. Fonseca" >>Hey Guys... I need an advice. I wanna buy a Exp board. Which one you >>recommend? I've heard a lot about the Session Board and the Pop one. The waves of the Pop board is not very "original". Most of them is just variations of the internal ones, some of them even have the same name as internal waves! (Although they're slightly different). Most of the patches can easily be emulated with internal waves - some of the patches (about 5 at the end) do not even use waves from the Pop board itself! I'm going to sell mine to make space for the new Techno board. Well, there is one good thing with the Pop board (compared to Session): the patches do not make use of the insert EFX! That means, the patches sound (almost) the same in patch and performance mode! The Session board uses the EFX a lot... What board you should buy depends heavily on what music you're doing. I would recommend you to take a look at the wavelists and patchlists, and then try to get a chance to listen to them at your local music store. /Patrik

    SR-JV80-02 Orchestral

    Subject: [jv1080] Orchestral Board Date: Wed, 1 Sep 1999 10:08:12 +0200 From: "Fabien ROYER" Hi the list ! Just wanted to let you know that I had done some "demos" for the Orchestral board (#I, not the #II). They are some excerpts of Mozart's Magicflute. One is rather old (well 6 months !) the two others are brandnew. I'm personally very satisfied of the result. You can find them at :
    www.mp3.com/higgins (the MIDfiles will be uploaded soon on another site) Please let me know what you think about them. For information, I used only preset patches from the board (only the solo flute comes from the session board) and tried to get the best of it. Now I achieved it, I'm really happy to own this board !!! Best Regards. Fabien "Higgins" ROYER ________________________________________________________________________________________________ Subject: Harpsichord tones; Orchestra Board. Date: Thu, 15 Apr 1999 11:07:35 -0500 Fabien ROYER wrote: Hi Jindrich >>A few days ago I did some composition and I used Harpsichord from Orchestral >>Card (there are four Harpsichords on Orchestral, I've no JV here, so I don't >>have idea which one it was exactly). When pedal is relased, the instrument >>makes a strange sound - it sounds like a kind of hiss/twitch in sample. It's >>normal behaviour? I think, yes. a Harpsi has got a very picky sound. The the key is released, something stops the vibration of the string. When you use a pedal, the strings continues its sound, and when you release the pedal... > >Can someone tell me how to ged rid of it??? > You should go in the tones. There are tones when the key is pressed and some when the key is released. Just shut down the one for release, and you'll get rid of it ;-) Fabien. ________________________________________________________________________________________________ Date: Fri, 26 Mar 1999 22:53:49 -0600 From: "Pavel A. Fomitchov" Hello everyone! Maybe you remember my early post about lack of high frequencies in songs recorded usinf Orchestral and Super Soun Set. Today I had a chance to measure the frequency content of my XP50 output playing my favorite patches from Orchestral and Session boards. I was playing a middle C and looking on real time spectrum analizer (thanks Youry!). Verdict: Orchestral strings samples have almost nothing above 8-10 kHz (even with all filters set to OFF). Session strings samples have much better defined highs up to 16-20 kHz. So, its time to upgrade the old favorite (Imean Orchestral board) for something new. Sampler + nice collection of samples? Pavel ________________________________________________________________________________________________ *THIS REVEIW ALSO TALKS ABOUT THE PIANO BOARD.* Date:Sat, 8 Aug 1998 11:13:26 -0700 From:"Robert Francis Pisano" > What improvement on the factory sounds are the expansion cards? For > example, the Orchestra expansion card. I have a JV-1080 with (amongst others) the orchestral board installed. Basically, I am not classically trained, but it seems to me as though every possible orchestral-type instrument is covered -- more sounds than I am ever likely to use (probably more sounds than ANY body is ever likely to use): 255 Programs (comprising 174 sampled waveforms) made up of heaps of strings, woodwind, brass, orch hits, percussion, even some pianos (a little weak) and more. I believe the board definitely improves upon the factory presets. The variety available allows you to select very specific sounds in an orchestral set up. If you compose music that requires orchestral elements and do not want to invest in a sampler (which can get quite messy and expensive), then this board is a must. > What about the Piano exp. card? The 64 voice piano is the patch I > probablly use the most for piano. It's the best piano sound I have, but > I can hear that it could be better ... does the Piano exp. card leave it > for dead - or does it just offer more variety? I too use the 64-voice piano and it tends to do the trick for me most of the time. In terms of the Piano exp. card, I personally would not bother with it -- it does offer more variety but I don't think a better piano sound than the internals. However, I have auditioned the Session Board and the piano sound is definitely better than the Piano Exp Card (and better than the internals), though, IMHO, still lacking somehwat. If you only need a piano sound, I don't think it is worth the A$695 asking price! > Any advice and comments about any of the exp. cards would be greatly > apprecitated as I am really unable to try out the exp. boards for myself > - the nearest shop with them stocked would be about 1600 km away! Depending upon the type of music you make, Roland offers a fairly comprehensive range of expansion boards. As the boards are specialised, it is often the case that there are far more sounds than you are ever likely to need, so it helps to really define your sound requirements prior to shopping. Cliched advice perhaps, but A$695 (or street price of around A$550) is a decent amount to pay for 8MB of sounds (compared to about A$300 for a sample CD-Rom with over 300MB, though you do of course have the benefit of instant access on the Roland boards). You should check out http://www.pins.co.uk/upages/symonds/ for details of all Roland's expansion boards plus sound files. Regards, Robert F. Pisano Melbourne, Australia ________________________________________________________________________________________________ Date: Mon, 10 Aug 1998 20:56:54 -0700 (PDT) From: Faisal Juma To: ashtonstudios Ashton Ward writes: >What improvement on the factory sounds are the >expansion cards? For example, the Orchestra expansion >card. The "orchestra" sounds that come with the XP-80 >aren't that bad, but I would really like to step up a >little in some of the areas (eg.brass). >I would love to hear from some people who have the >orch. card as to how much better the sounds are and >what sounds there are as well. Well in terms of orchestral sounds, the board transforms the xp/jv line of synths. There is differently a big difference when compared to the internal sounds. Not just in variety but to a certain extinct quality wise too. Highlights of the board? I will rate the sounds below based on my experience: 1 - Woodwinds: Easily comparable to expensive sample cds. The Clarinet, Oboe, and Bassoon are all very well sampled. Flute, Piccolo, and English Horn are not bad at all with good efx settings. 2 - Percussion/Chrome: Powerful Timpani samples with an assortment of rolls, plus nice Piatti (Cymbals). The exception is the snare drum, a little thin to my ears. Other percussive instruments like Glockenspiel and Bells are all good. 3 - Brass: The harsh metallic Brass sounds are nice on this board but the softer Trumpets and Trombone are average. The French Horn is top notch with some patches that have good velocity switching between the deeper harsher metallic sound and the softer quality of the instrument at the other end. 4 - Strings: Considering Roland's Sample CD library, i thought this would come out first but the string samples were squeezed tight into small space. Normal sustain Violin/Viola/Cello sounds are ok, but the other variations, like Marcato/Agitato are somewhat unusable. A good sample of Violins doing Tremolo doesn't even exist, nevermind Viola/Cello. I was disappointed with this section, it should've been much better. In summery? Overall worth it if you can get it for a good price. Its like light and day when you compare the board with the internal sounds but still a world away if you have a sampler with a good set of cds. I don't part with it though. I can turn the machine on and instantly have access to a palette of sounds. Regards, Faisal Juma ________________________________________________________________________________________________ Subject: Re: Orchestral Board Date: Tue, 12 May 1998 15:54:20 -0500 From: Richard Jordan To: Faisal Juma >the cellos, or the violas a more distinctive voice. The problem is >really two fold, for one the actual string samples on the orchestral >board are not obviously as rich as the ones you will find on a that really depends on what fx routings you are using it can have a major impact on the sounds sure it may not be as good (at some things) as a dedicated sample CD but those often cost as much as an expansion board all by themselves >instrument will always playback the waveforms on the orchestral board >with precise pitch. This is something that is contrary to how strings and this problem cannot be fixed even with a sampler I generally use pitchbend to do my detune strings and also some vibrato via pitchbend legato playing involves longer notes usually with some overlap pizz is often at about 60% of the notated value and do not forget how much the velocity can effect some of the sounds in other words, there are plenty of tools it may require work to use them and to learn them but they are there and that is why we gather here, to share and to learn regards richard ________________________________________________________________________________________________ Subject: Re: [jv1080] Orchestral Board Date: Tue, 19 May 1998 06:32:00 -0400 From: Scott Wilkinson To: Faisal Juma There's been some talk about the JV-1080's orchestral board and the quality of its samples. True, you can get a better "virtual orchestra" from a good sampler and CD set...but there is one other element that has a big impact on what you can accomplish with boards like the JV-1080's: your knowledge of orchestration and orchestral instruments. I routinely hear film scores, for example, in which it was obvious that the mighty composer/arranger hadn't spent an enormous amount of time performing in (or sitting in rehearsals with) a real orchestra. This because I'd hear passages written in uncharacteristically high or low ranges, or rhythmic patterns that are awkward and unrealistic for a given instrument. If you *really* know an orchestra, you can write a lot with the JV-1080 that avoids its weaker points and sounds incredibly realistic. (I have some knowledge here--I'm a Juilliard grad who spent ten years playing in professional orchestras, and believe me...I've spent tens of thousands of hours sitting in long rehearsals listening to great works of music be dissected and then assembled again!) Scott Wilkinson ________________________________________________________________________________________________ Subject Orchestral Board Date: Thu, 14 May 1998 17:59:54 -0700 From: timkoelm Richard Jordan wrote: > >instrument will always playback the waveforms on the orchestral board > >with precise pitch. This is something that is contrary to how strings > and this problem cannot be fixed even with a sampler > I generally use pitchbend to do my detune strings and also some vibrato > via pitchbend I might have missed something here, but the Super JV *does* have a random detune function, under PATCH/WG/PITCH. This parameter randomly detunes each tone note-on by a user selectable amount of cents. You can simulate slight pitch or finger position variations on instruments such as violin quite easily and effectively with this. Judicious (sp) amounts of 1/f modulation (AKA "Analog Feel") can also help in simulations of string or orchestral sections. Best Regards, Taurus3 ________________________________________________________________________________________________ Subject: Orchestra Board. Date: Thu, 15 Apr 1999 11:07:35 -0500 Fabien ROYER wrote: >>A few days ago I did some composition and I used Harpsichord from Orchestral >>Card (there are four Harpsichords on Orchestral, I've no JV here, so I don't >>have idea which one it was exactly). When pedal is relased, the instrument >>makes a strange sound - it sounds like a kind of hiss/twitch in sample. It's >>normal behaviour? > > I think, yes. a Harpsi has got a very picky sound. The the key is released, > something stops the vibration of the string. > When you use a pedal, the strings continues its sound, and when you release > the pedal... > > >Can someone tell me how to ged rid of it??? > > You should go in the tones. There are tones when the key is pressed and some > when the key is released. Just shut down the one for release, and you'll get > rid of it ;-) ________________________________________________________________________________________________ Subject: Re: Orchestral & harpsichord Date: Thu, 15 Apr 1999 20:29:54 +1000 From: Music From Another Planet To: Jindøich Nėmec Yes I have noticed this too. From memory this is a characteristic sound of a real harpsichord when released. Although Roland has exaggerated it a bit. ________________________________________________________________________________________________ Subject Orchestral board Date: Tue, 20 Apr 99 11:40:03 -0400 From: pj Hello Robert -- Sounds like the Orchestral is a good fit with your orchestra. The woodwinds are really good -- I rely on them daily. The piano has a darker tone and is OK for an ensemble. For an exposed solo, it's probably not up to the task. The harpsichord is pretty good and playable. The ensemble strings are not too bad, but the solo strings are somewhat weak (with too much vibrato.) The French horns are good, but I find the other solo brass to be somewhat thin and artificial sounding. They probably would be good for doubling live brass. Overall, it makes sense to wait for the Orchestral II just to see what Roland has new to offer. The board should be available very soon. -- pj

    SRJV80-03 Piano

    Date: Wed, 16 Jul 1997 19:24:05 +0200 From: "Christian Krause" To: Hi there! I have quite often read harsh criticism about the SRJV-03 Piano expansion which is *not* justified. I own this board and I'm very satisfied with its high-quality 73 sampled sounds. They are used in Roland's top-of-the-line RD stage pianos, too, and include a superb grand piano, classical & pop pianos and lots of nice Rhodes. Yamaha's important classical DX7 (softer and warmer than in the internal memory) and CP-70 keyboards (not included in the internal rom) are thrown in, too. I haven't used its 19 Wurly and Clav sounds, since I do hate these instruments' sounds in general. I would only use a handful of the board's 111 preset *patches* in my own songs, though. A lot of them are drenched in reverb (I really hate too much FX). And because the SRJV Piano was the third expansion board which has become available in 1992, it doesn't use the EFX processor, the structures etc. Only boards from SRJV-06 (Dance) on have two different sections of patches, one bank for the JV-80/880/90/1000 and one for the XP-50/80 & JV-1080/2080. This is not that important for me because I rarely use preset sounds after all. If you are a competent synth programmer, you can have the piano sounds you've ever wanted with 64 voices but it may take a few hours of work. Most external piano modules have got only a 32-polyphony and cannot be programmed. At least in Europe, there is not a big price difference between the expansion and a module. P.S.: Is there anyone out there who owns a piano board himself and wants to trade programming secrets with me? ________________________________________________________________________________________________ Date: Fri, 26 Mar 1999 15:40:57 -0500 From: prozo Hi Adam, My name is Pedro Rozo and i rellay like the XP-JV expansion boards, i work with two XP80: 1. at home: with a Pop expansion board, you know have a good sax, and the Piano expansion board sounds too. 2 at the studio. with a Session, World and Bass and Drums. Some guys talk about session pianos are better than pop and piano expansion boards; and i think diferent, i prefer some internal pianos, but my loved piano is on Pop expansion board, another options is buy only the piano expansion board with very good pianos. I have a Roland RD600 as controler and master piano, and this equipment has the piano expnasion board pianos, and i think are the nest of Roland. Althougth, i think the concept "the better piano" is very subjetive, depends what is your style, and preference. I recommend you the pop or piano board. Good Luck, Pedro Hernando Rozo Mora

    SR-JV80-04 Vintage Synth

    *THIS REVIEW ALSO TALKS ABOUT THE KEYBOARDS OF THE 60S/70S CARD.* From: Benjamin R. Tubb" To: "Roland JV/XP Mailing List" On Wednesday, September 24, 1997 5:13 PM, you wtote: > Regarding the JVs Expansion Boards (from now on EBs) > > Can someone tell me the difference between the "SR-JV80-04 Vintage > Synthesizer EB" and the "SR-JV80-08 '60's & '70's Keyboards EB". > > And more: which one gives the best moogs', hammond and mellotron > sounds ? The Vintage Synth features: JX3P CS60 Oberheim Juno 6 Prophet 5/10 MKS-7 D50 ARP2600 SH-1000 JP-8 JP4 MKS80 VP-330 RS-202 Moog Micro Moog GR500 GR300 SH-2000 Promar SH-101 VS Organ VK-1 Organ The Keyboards of the '60s & '70s features: Organs (including B3, Vox, Farfisa) Rhodes Suitcase 88 Rhodes Mark V Rhodes Stage 73 Wurlitzer Pianonet Harpsichord Clavinet Mellotron Benjamin Tubb ________________________________________________________________________________________________ > Hi, > How about the Vintage board, is it worth to buy? > Would You mind to tell me more, I want to buy it. > My music is towar new age, ambiance and pop/semi rock, > no techno, I like strange but beautiful sounds, dreamy pads, > synth, sound effects. How's the programming? > Thanks in advance. > > Best Regard > Bill Hello Bill: There is a lot of waves and patches that you can use in a variety of styles, leads, pads, syntesizer basses, moogs. In example you can use it in ambiance and electronic pop, there is a bass number "90:Perkolator" that works fine in pop music when you give it movement. You have in one board a collection of the best Roland Analog Machines, this is the worth of the board, you can add an analog feel to your songs, I recomend to use the Vintage sounds in combination with Digital sounds to give more musical contrast. I think the Vintage Board is a good election if you like pads and want to obtain sound effects. That's my appreciation, hope it helps you :-) - Mike - ________________________________________________________________________________________________ Date: Thu, 17 Sep 98 09:07:09 +0200 From: Per-Henrik To: "Chuck Pedersen" >Speaking of expansion boards, I wanted the Vintage Synth board for some >time. I >have not had the chance to hear it, and I would like some feedback from some >folks that are using it. The vintage-expansioncard is a "must have". IMHO the card are exellent and the wave-forms are sampled and premade with care. Itīs sounds like the sound-programmers had found a perfect analogue patch on letīs say a Prophet 5, and then squeeced even more on the knobs to obtain a much more elegant sounding patch!!! I think the card is worth the money just for the superior pads! The mellotron-patches are also perfect for that 1970:ish sound. (Check out the strawberry fields flute) The leads are also very good, and many of them are that good they donīt need any further remodifications. Basses are huge. So, yes, buy it now! //Per-Henrik Persson - Sweden, up north. ________________________________________________________________________________________________ Date: Sat, 06 Mar 1999 18:35:24 -0800 From: "W. Brent Latta" To: STUDIOG I've got both the Hip Hop and the Vintage synth boards. The hip-hop board is primarily for drums (in my opinion). While it does have some other instrumental patches, it is geared for 'beats'. The vintage synth board has some great stock patches (all of vintage synths of course) so it might work a little better. This board - I think - offers enormous potential if you are a good patch programmer. However, I have done so little of this that I haven't taken full advantage of this board either. But from the sounds of it, you would do better with a Techno or VS board. -Brent

    SRJV80-05 World

    Subject: [jv1080] Re: Didgeridoo patch Date: Sat, 16 Oct 1999 23:47:38 +0000 From: Brian Jayvexpers! >> > Anyone interested in programing a "Digeridoo" patch for XP50? >I have a friend who lives next door and is an aboriginal musician, sometimes we play together, but I need a GOOD patch. thanks anyway :--) aka< Three (perhaps unfortunate) words: World Expansion Board. -Brian Matthews ________________________________________________________________________________________________ Subject:Disappointment with the World Board Date: Wed, 9 Jun 1999 12:25:41 -0700 From: "Gore, Shane" To: "Jv1080 Mailing List (E-mail)" Hey all, I just bought the World expansion board over the weekend and I must say that I'm disappointed. I was hoping to get a decent selection of shakers, tambourines and cowbells to compliment the Bass and Drums drum kits. The board is okay, but there are way to many loops. You hear the demo, and say to yourself: "wow that sounded very expressive" but then you find out that the demo is just a compilation of loops. The problem with loops is you have to match up the bpm. There are some great shaker patches, but they're loops. With loops you loose control over the expression of the instrument. Booooo! =) Shane ________________________________________________________________________________________________ Ben Tubb wrote: World (SR-JV80-05) ================== This boards features waveforms from 12 geographic/ethnic regions: Region #_of_Waveforms ------ -------------- India 39 Middle East 37 Japan 21 Korea 4 China 20 Europe 8 North America 1 South America 70 Africa 26 Southeast Asia 14 Australia 6 Others 9 Though in general, the sample qualities are good, the dynamic qualities are not all balanced between them, notwithstanding the characteristic "natural" qualities of the instruments themselves. Also, the nature of "world" instruments is MUCH larger than the board represents. To do the subject justice, at least another board should be made. For example, "idealy" there are at least the following instruments quantities to be more representative of the regions above, referencing "Musical Instruments Of The World - An Illustrated Encyclopedia" by the Diagram Group, 1976, Paddington Press Ltd: Region #_of_Instruments (types) ------ ------------------------ Africa 43 Americas 35 Europe 48 Middle East, North Africa, USSR 21 India 28 Far East 30 Indonesia 17 Oceania (New Guinea, Australia) 26 And many of these types (i.e. among the "families" of aerophones, idiophones, membranophones and chordophones) have MANY "variations" in use. Another alternative is to get a Ensoniq MR RACK with its version of a World board, although I don't know what instruments are available on it. ________________________________________________________________________________________________ Date: Tue, 08 Sep 1998 23:48:32 -0400 From: Brian To: jv1080@emccta.com Jayvexpers! >>Anyone on the list own the World Expansion board? >Is it worth buying? What are the highlights? > >matt in Brooklyn<< Matt, I have to agree with Nils: >For me It's one complete Highlight and I can Recommend it Yes.< This is the first board I got for my XP-50, and it's value lies in all the very interesting and unusual ethnic sounds that it has. I would recommend to anyone looking to round out their sound JV/XP library that they get this board, no questions asked. Of course, it all depends on what kind of music you're interested in making, but if you're like me and want to be able to hit on as many cylinders as possible, this board is a big resounding YES!! -Brian ________________________________________________________________________________________________ Date:Wed, 7 Oct 1998 08:51:25 -0400 From: "Moyer, Dave" To: "W. Brent Latta" Hi, Brent. I bought the World Board a few months ago, just in time to be swamped with work and then head off on vacation, so I haven't done a lot of work with it. Nonetheless, I'm really impressed with it, and I can see a lot of use for it in the stuff I do, which doesn't really concentrate at all on "world" music per se (I play in a pop-rock band, write songs in a similar genre, and do sequencing). There's a lot of really interesting Brazilian percussion instruments, so many in fact that you almost need to have a manual on samba technique to know how to use them all in the traditional way. However, I'm sure that they'll inspire a number of ideas on their own. Also lots of Indian stuff - tablas, sitars, etc., as well as tons of African percussion, harps, etc. There's a goodly assortment of Asian stuff, although personally I would have liked more gamelan instruments (there are a few) and more southeast Asian (namely Thai) traditional instruments. A number of patches are quite spacey, not traditional at all - would work quite nicely in a lot of pop or new age type stuff. Rounding out the collection are a number of loops, some of them quite fun, as well as a few special effects (foot stomping, Chinese opera vocals, African shouting, etc.). Overall, the patches are of very high quality, although their direct usability really depends on your applications (how many Chinese orchestral instruments do you REALLY want exact emulations of?). More importantly, the waveforms seem to be very good, with minimal artifacts, good continuity between sample points and smooth looping. Hope this helps. Cheers - Dave. ________________________________________________________________________________________________ Date: Tue, 09 Feb 1999 18:12:47 -0800 From: "W. Brent Latta" To: David Mikautadze I've got both expansion boards - world and asia - and in my opinion the asia board is far better. Many more useable patches right out of the box. Although the world board covers more geographical territory, it does so at the expense of instrument/patch quality. I would recommend the Asia board over the World board, unless price is a big issue. If that is the case, a world board would be easier to find used. I don't know of any mp3's out there for the asia board, but check at lilchips.com. Hope this helps. -Brent ________________________________________________________________________________________________ Date: Tue, 23 Feb 99 08:33:19 -0500 From: pjd To: jv1080@emccta.com Since I ordinarily don't play with someone sitting in on Esraj or Kayakeum ;-) I also pulled together a chart of the non-percussion instruments on the World board according to broad category. (Sorry, no percussion right now.) Here it is. -- pj ---------------------------------------- SR-JV80-05 World instruments by category P.J. Drongowski 23 February 1999 NNN = (first) waveform number -------------- ------------ ----------------- --------------- Plucked Bowed Blown Phrase &Struck Strings & Pipes & voices -------------- ------------ ----------------- --------------- 001 Sitar 031 Esraj 043 Kawala 195 Zaghruta 005 Tambura 033 Kamanche 046 Shakuhachi 194 Yyoo Dude 017 Oud 034 Erhu 042 Ocarina 193 Hey Brazil 021 Koto 035 Zampona 191 Yoh Tribe 022 Shamisen ------------- 040 Sicu pipe 192 How Tribe 027 Biwa Reeds 041 Quena 197 Bull scream 024 Kayakeum ------------- 049 Hunt pipe 253 Morocco Ens 013 Yuechin 057 Shahnai 186 Didgeridoo 252 Korean Ens 014 Yangchin 058 Mizmar 198 Conch Shell 200 Samba MENU 009 Zither 055 Hichiriki 240 Samba Whistle 254 African Ens 012 HmrDulcimer 051 Bagpipes 015 Bandolim 060 Piri ----------------- 016 Cavaquinho Harps 172 Berimbau ----------------- 020 Kanoun 026 Afro Zither 025 Oct Harp ________________________________________________________________________________________________ Date: Tue, 09 Feb 1999 18:12:47 -0800 From: "W. Brent Latta" To: David Mikautadze I've got both expansion boards - world and asia - and in my opinion the asia board is far better. Many more useable patches right out of the box. Although the world board covers more geographical territory, it does so at the expense of instrument/patch quality. I would recommend the Asia board over the World board, unless price is a big issue. If that is the case, a world board would be easier to find used. I don't know of any mp3's out there for the asia board, but check at lilchips.com. Hope this helps. -Brent ________________________________________________________________________________________________ Subject: Bagpipes Date: Mon, 12 Apr 99 10:20:05 -0400 From: pj To: jv1080@admin.emccta.com CC: GoreS The bagpipes on the World Expansion board are passable. Don't hesitate to tear the patches apart, tho'. I stripped the drone away from one of the patches and toned it down a bit with LPF, for example, to get something a little more lyrically delicate (whatever that means.) The new Orchestral II board is supposed to have Uillean Pipes which are a close Celtic cousin to the Scottish pipes. This might be a workable alternative. I guess it all depends on what other sounds on the World or Orchestral II you would draw on for the style(s) of music that you play. OF COURSE, none of us has heard the new board yet! Roland says "Real soon now." -- pj ________________________________________________________________________________________________ Subject: Bagpipes. Date: Sun, 11 Apr 1999 21:55:19 +0200 From: "Alexander Winkler" To: "Jv1080@Emccta. Com" >I'm looking for a good bagpipe waveform for my JV. Does anyone know if the >one found on the World Collection is good? >Thanks, > >Shane I think the bagpipes on World-board are good, but not particulary exciting. There are two distinct patches called "Bagpipes" and "Velo Bagpipes" which are sufficient as long as you don't expect something close to reality. There are four basic Waveforms which gives you some chances to adapt the patches. The World board itself has it's strong side on asian instruments which I think are really fine. There are only a few european instruments, the "Zither" for instance is not very realistic. Alex ________________________________________________________________________________________________ Subject: World glossary Date: Tue, 23 Feb 99 08:27:19 -0500 From: pj To: jv1080@emccta.com Hi all -- I got into an obsessive mood and pulled together a glossary containing most of the instruments on the -05 World board. (Sorry, ASIA guys, you're on your own. :-) It's too large to post here and since I don't have a WWW page, I'd like to find a few volunteers to put it up somewhere on the Web. So, if you would like to receive a copy and put it up on your WWW site, please send me your e-mail address. Then, once it's up, please post the URL here. Here's the intro from the glossary. I originally thought, "Hey, I'll just merge everything I find on the Web." Silly -- the number of noisemakers invented by all of humankind is just too great! One of the challenges in pulling this together was finding the proper spelling of the instruments or at least a regionalized spelling that matched somewhere in the world. -- pj -------------------------------------------- World instruments mini-glossary P.J. Drongowski 23 February This mini-glossary contains brief descriptions of most of the instruments included in the Roland SR-JV80-05 World Expansion Board and a little bit more. It is based on a merge from several major Internet sources: The "Echoes" music soundscape from Public Radio International http://www.echodisc.com/de.glossary.html Hobgoblin Music -- new and used folk instruments http://www.hobgoblin-usa.com/info/glossary.htm The World-Wide Samba Home Page http://www.worldsamba.org/SambaGlossary.html Korean Embassy (Washington DC) http://horea.emb.washington.dc.us/ Musical Malaysia http://www.music.upm.edu.my/malaysia/instruments/alt-index.html Brochure on Musical Instruments, Vol. II, Development Centre for Musical Instruments, India. http://www.msc.cornell.edu/~nara/spicmacay/instr.html Department of Ethnomusicology, UCLA http://www.ethnomusic.ucla.edu/ethnomusicology/ Rolling Thunder The Taiko Resource [and other Japanese percussion!] http://www.taiko.com/history/glossary.html Readers should also see the two articles on world instruments by Dave Stewart in Keyboard magazine (March 1996 and May 1996.) Oddly, Stewart's articles do not mention the SR-JV80-05 which contains quite a few of the instruments described in the articles.

    SR-JV80-06 Dance

    Date: Tue, 05 Aug 1997 09:07:24 -0500 From: Greg To: Oskarsson Anders Oskarsson Anders wrote: > My name is Anders (Swedish), and I'm produce pop/soul/dance music, as > hobby. > My main instrument is a JV-1080 and I have one expansionboard >"Vintage" , > but I like to have more heavy/proffesional sounds, like techno/dance > drums, bass etc. I noticed that Roland released a perfect board for >this > called "Dance", but I also heard that Roland had to stop selling this, > because of some copyright problems or something. Does anyone now were > buy this card, or is there any better card maybe ? Can anyone give me > some advise ? Hi Oskarsson! Greetings from Louisville Kentucky! Greg here. I have the Dance board. It's not bad. There may be one or two stores that might still have one, but probably you'll only find it used these days (or in Japan). I think I bought the last new one in North America four months ago. Anyhoo, it's fairly good. Most of the Dance loops are considered old(1990-93) here in the US. There's loops like Madonna, the Santa Domingo monks chant (that's not the right name?), there's Ton Loc "Wild Thing" loop, you know, stuff like that. I think that's the copywrite problem. But, the rest of the board isn't bad at all. It has a nice dance piano, some dance strings and other patches that I use. One nice thing is the rhythm kits. They are decent - 909, Reggae, Hip Hop, etc. It also has some drum kits(6) in patch mode. If you see the Dance board used for a good price I'd pick it up. Another board I recommend is the Sessions board. It has some quality pianos (4), strings, flutes, guitars, plus some new synth, pad and dance patches (like dance stacks). It also has some rhythm kits, but they aren't as varied and useful as the Dance boards kits. Also, as predicted, at July's NAMM Roland introduced a new board. The Techno board, SRJV80-11. You might want to check it out. ________________________________________________________________________________________________ From: Greg To: lars.van.casteren@ Hi Lars! The more I play with this board the more I grow to like it. It has some nice basses and other patches like pads and punches. I bet you like that "OldStrings" patch. I do. Plus, it has some nice cymbal menus and drum kits in patch mode, 249-255(?). These kits just have kicks, snares & cymbals and don't have the variety of percussion like the rhythm kits. But I use one or two of them frequently. The cymbals sound very nice and compatable with the kick and snare(unlike the Techno board's rhythm kits who's cymbals suck). The rhythm kits on the Dance board add variety but most need effects applied to sound decent(try applying delay to the Reggae kit). That's a good purchase for $200 but there's no way I'd pay $400 for one. Well, I did pay $400. But that was 1 1/2 yr ago for a new board. There's outdated stuff on there too. Just MHO. Have a nice Tuesday! -Greg ________________________________________________________________________________________________ Subject: Re: Dance Expansion Card Date: Wed, 24 Sep 1997 05:16:55 -0500 From: "Benjamin R. Tubb" To: "Roland JV/XP Mailing List" > I just purchased the dance expansion card, and of course there is no > manual. I read somewhere that there are conversions you can apply to > some of the beat loops that come with the card. Is this possible? And > what conversions can you do? If anyone has any info about what is > possibly with the dance card it would be much appreciated. Thanks in > advance It so happens that I have an info text file on this very subject (called "BPM Conversion Formula for Looped Waveforms") which should be useful . Check my webpage listed below or download it directly from: http://www.cybertron.com/~brtubb/055.txt Benjamin Tubb http://www.cybertron.com/~brtubb/jvxp.html ________________________________________________________________________________________________ Subject Dance Board Legal Situation Date: Fri, 19 Sep 1997 15:51:41 +0100 From: "blo.joggs To: jv1080@emccta.com Reposting of a message I found on the net origin uknown. I thought members of this list would be interested in reading it. > I checked with Roland and the Dance board is no longer the issue of court procedings and all cases have been dropped or fallen apart. I was told that there are no samples on the board which you cannot use for commercial purposes. Therefore in theory the Dance board could be re-released, in theory. It is normal for a product which is the subject of court procedings to be withdrawn, atleast temporarilly. However the hassle the cases caused Roland was immense and they may wish to avoid giving unscrupulous artists/record companies food for [insert your words here] (allegedly). Don't forget that 'where there's a hit there's a writ' so some so called artists may come after you anyway. But you don't need a dance board for this to happen.

    SR-JV80-07 Super Sound Set

    *THIS REVIEW ALSO TALKS ABOUT THE SESSIONS BOARD.* Date: Fri, 22 Aug 1997 00:55:42 +0300 From: Nir Sullam To: jv1080@emccta.com At 02:49 PM 8/21/97 -0700, you wrote: >Greetings Nir, > >I noticed in your most recent post you say you have both the Session and >Super Sound Set cards...Perfect! These are two cards screaming for my >cash, but the local music store doesn't have them in stock very often. > >If you have the time, could you enlighten me as to the quality of the >rhythm sets on these cards? Taking the Bass & Drums card and the Super JV >internal rhythm sets as reference points would be helpful. > >Also what's the content in general on the Session card like? Roland state >that 'quality not quantity' were important when designing the sounds (at >least, that's what the product brochure says), so I'd be interested in >hearing what the 'goods' are like, especially that stereo grand piano >sample. Thanks in advance,> > >Taurus3 > >**************************** Hi Taurus3 What you want may take some time to answer but to cut a long story short: SESSION CARD ------------------------- 1- The Pianos are good - the truth is IO expected something better but it is still quite good 2- STRINGS - very good 3- choirs - excellent (mmms.. ahhh..etc,.) 4- Juno 6/106 sounds - I know little about acid - but a guy that bought my SH-101 this week was smiling when heard these. 5- some great "french" accordeons 6- great BRASSes -SAXES and Trumpets 7- very good nylon guitars 8- screaming E-guitars 9- basses - good but there are better elsewhere 10- lots of pads or new age pads and strange background pads 11- drums - quite good the bass drum in Session Set 1 really made me buy this card - but judge for yourself the others are good nice snares - more like the modern dance trance Super Sound Set -------------------------------------- 1 - Pianos - the only one that realy got me - the Electric Grand nice Rhodes' 2- Nice Harpsichords 3- lots of guitars of all kinds - excellent!! 4- excellent accordeons 5- nice wind instruments 6- lots of brass - sax trumpets etc,. 7 - nice harp rolls 8- drums: lots of power drums (heavily reverbed and more the rock type) CONCLUSION: quality of samples - As far as can say or judge - excellent samples. these are very good "all in one box" expansions.I heard the Bass Drums exp in the store it is superior to the drums ofthese two. The Grand Piano is said to be the best available to the XP/JV line - probably true/ But as you know - nothing like listening to them in your local store. hope I helped -Nir ________________________________________________________________________________________________ Date: Fri, 13 Nov 1998 19:35:37 -0500 From: Hyeong-Min Kim To: jv1080@emccta.com, > Has anyone had experience with the Super Sound Set expansion board and > would like to share their opinion? I've used the old Baroque PCM board > with my JV-90 and liked the organ flutes and harpsichord. I'm wondering > if anyone has found the other instruments and orchestral effects useful? > I have a SSS board and here are my opinions about sound categories in that expansion board. [Pianos & EPs] I have an RD-600, so I don't care about piano patches in other synths. EPs are great. I can't live without E. Grand Mod & E. Piano Mod patches! [Baroque Sounds] Like you said, they are really great. I started to practice Bach again when I heard harpsichord patches. [Guitars] Just OK. [Accordions] Best I've ever heard in any synths/samplers. Be sure to play with an expression pedal. [Brass] Decent [Orchestral Effects] They sound good, but you have to compose songs based on them if you want to use them. For example, you cannot control the speed of harp scrolls. So, you need to compose a song with the speed of a particular harp scroll patch in mind. Therefore, the orch. effects are useless most of time for me.

    SRJV80-08 Keyboards of the 60s & 70s

    Subject: 60 70 keyboard Suprised Date: Mon, 31 May 1999 20:04:02 -0700 From: Dean Atherton To: jv1080@admin.emccta.com Hey gang just bought the 67-70 expansion board $219 guitar CENTER I'm was mildly impressed by the over all sounds. Much better than I thought. Of course THOSE who used to playi a B3 or B2 you will have some complaints but for the price it is worth the bang for bucks. It definitely blows away the preset oragan patches > The low and high end sounds on keyboard notes are 80-95% better. middle range notes 20-75% better. I mainly bought the expansion board for Hammond organ sounds. But I really like the Rhodes and Wurly samples. In fact I was going to take them as a loss . Well was I wrong I had just as much fun on them as the Hammond sounds. The other organs sounds vox and Fafi are well represented however they are not my cup of tea but If u like that sound I think u might enjoy. But as usual with all the expansion boards 20% of the sound I will never use ie {tron and others} 30% wave of the forms sound the same. But that is normal I currently own the SESSION & DANCE Expansion boards .I'M also a way back owner. I bought the xp-50 when it first came out wow %&%^&%%# yrs ago wooo time does fly. AND DAM PROUD OF THE MACHINE PS i guess I'M just a ROLAND guy DEAN from BERKELEY CALIF. Overall Rating 7.5 Would i buy it again YES ________________________________________________________________________________________________ Ben Tubb wrote: Keyboards of the '60s & '70s (SR-JV80-08) ========================================= Waveforms: 255 Organs: 136 Electric Pianos: 54 Clavinets 49 Others: 16 Specific instruments sampled are: Hammond B3 Vox Organs Vox Harpsichords Farfisa Rhodes, Suitcase Rhodes, Stage Rhodes, Bass Wurlitzer Hohner Pianet Hohner Clavinet Mellotron This is a definitive collection of waveforms and patches for me, as organ in particular is my favorite instrument besides guitar and bass . In short, it is an EXCELLENT complement to the Vintage Synth board (SR-JV80-04). ________________________________________________________________________________________________ Date: 8 Oct 1998 17:31:57 U From: "Barnes, Daniel" To: jv1080@emccta.com Hyeong-Min Kim, you asked: "I'm wondering if the Keyboards in the 60's & 70's expansion board can deliver sparkling & biting rock organ sounds" Well, yes and no. Your're right that the internal organ sounds don't quite cut it. And the Keyboards of the 60's & 70's organs are a big improvement and I highly recomend it. But don't expect it to sound exactly like a real B3. It's pretty close, certainly close enough for me. But if you wan't a really good B3 sound get Roland's tone wheel emulator organ (I don't remember the model number). Even it isn't exactly like a B3 (indeed, even some real B3's sound better than others) but it's about the best I've heard. When you consider all the really good organs you get with the board, including some delightfully cheesy ones, and the great assortment of Rhodes and Whirlitzer electric pianos (not to mention the Mellotrons) it's well worth the purchase. In fact it's the first expansion board I chose to get. Go for it! ________________________________________________________________________________________________ Date: Sat, 27 Feb 1999 10:51:44 EST From: DBa2186944@aol.com To: jv1080@emccta.com Cleber de Mello Lins Caldas (now that's a name!), you wrote: >> Hi Marcelo, >What is your opinion about the Keys of 60 & 70? What about the Hammond B3 >patches? >Are they much better than Preset A ones? Any other opinion from anyone about >it? << If I may insert my opinion here, the only expansion board I own is the Keyboards of the 60's & 70's, and I love it. Yes, the B3 patches blow the Presets away, as do the electric pianos. It also has some great sounding cheesy organs too. Do the B3 patches sound exactly like a B3?....well, no, but then again only a B3 sounds exactly like a B3 (the closest thing I have heard is the Roland "tone wheel emulator" keyboards, VK-7 & the new 2 manual VK-77). And not all B3's sound alike either. Also, a B3 with all the draw bars, percussion and such, can sound any of a thousand ways (not to mention what a real Leslie does to the sounds). It also has some throw away Mellotron patches that are interesting, but I have yet to use in an actual performance. All in all, if you want some of the best B3 and Rhodes sounds around, buy it! (no, I don't work for Roland) Dan Barnes ________________________________________________________________________________________________ Subject: 60's & 70's vs. Piano Date: Wed, 4 Mar 1998 14:51:52 -0600 (CST) From: Mark Vitek To: JV-1080 Mailing List The 60's and 70's board is all Rhodes, Wurli's, Hammonds, Farfisa's, ( and various other 60s/70s organs), Mellotrons, etc. It's a very retro sounding board. If you're not into that "groovy psychedelic" sound, you won't be pleased... ________________________________________________________________________________________________ Subject: KB of 60's&70's Date: 12 Oct 1998 09:24:57 U From: "Barnes, Daniel" To: "Joe Corriveau" Hi Joe, You asked: "David, I've got the "KB's of 60's and 70's-Do you have any ideas on how to improve on these B-3 sounds, with the XP-80? I'm not going out to buy the VK-7, though I'd love too. Please advise. Thanks-Joe Corriveau corriveau@fmis.net " The only thing I did to improve some of the the B3 patches from my KB of 60's & 70's was add some tremlo (that is change in amplitude, not pitch) and control the depth. I've never been too keen on the Rotary Speaker EFX. It doesn't sound much like a Leslie to me. But the combination of the Rotary Speaker and the tremlo works OK.

    SR-JV80-09 Sessions

    Subject: [jv1080] Saxophones Date: Wed, 20 Oct 1999 08:27:33 -0400 (EDT) From: "paul j. drongowski (dr. funk)" The current choices are: Pop Session Super Sound Set (SSS) The Pop has the only (only!) decent soprano sax. The tenor and baritone are OK, but not stellar. The Session has a decent jazz/rock-oriented tenor with a brighter sound. The SSS has a more laid back, breathy tenor. It'd be a good idea to try 'em out. Some of 'em are programmed to growl when spanked and the programming can be a little touchy (literally!) Sax is a tough one to emulate. Just as an aside, I've been playing around (heavily) with a Zoom SampleTrak lately -- including flute, sax and mute trumpet phrases. The synth world has a long way to go to emulate real instruments with real players. My skills ain't up to it, that's for sure! -- pj ________________________________________________________________________________________________ Subject: Re: [jv1080] preset Sax sounds Date: Wed, 20 Oct 1999 13:09:47 +0300 (EET DST) From: Jussi Piekkala To: "V. Shankar" On Tue, 19 Oct 1999, V. Shankar wrote: > 2 of the solo saxophone presets (I think tenor and alto) have a lot > of rasping kind of noise accompanying them. Is it supposed to sound > that way (perhaps simulating breath sounds)? It sounds pretty bad and > unnatural to me. Is it an added effect or is it like that in the > waveform itself? Which expansion boards have the best saxophone > sounds? Shankar, I certainly think (IMHO) that the "rasping kind of noise" is an important part of a natural saxophone sound. The Session board has a few very good saxophone patches, some that can produce a more or less soft sound depending on your keyboard pressure attack. jp ________________________________________________________________________________________________ Subject: Pop or Session Date: Tue, 20 Apr 99 11:06:19 -0400 From: pj To: bstaggs Hi Billy -- Actually, we just *love* to discuss expansion boards! I have both the Pop and Session. The piano on the Pop is not bad, but I find it to be too bright/brittle. Just to set a reference point, I find the stock "Classique" to be about right for a piano with a darker tone. There is a darker piano patch on the Session which is like "Classique." Pop expansion board strengths are: * Nice woodwinds (much better than the stock waveforms) * Good saxes (and it has the *only* decent Soprano sax) * Decent EPs (especially the Wurly for that "barky" EP sound) * OK acoustic guitars * Variation on stock strings (the board adds a different attack waveform) Weaknesses: * Ethnic instruments (accordion not as good as Session or Super Sound Set) * Pads (too "hoked up") Session board strengths are: * Good saxes (mainly tenor, slightly jazzy) * Good nylon string guitar (could use more variety though) * Really good strings * Playable accordions * Playable brass (possibly the best R&R brass in the Roland series) * OK piano (but, I'm *really* down on sampled piano in general these days) * Nice flute (but, the vibrato is sampled in and can't be eliminated) Weaknesses: * Too much electronica for folk to light rock styles * Doesn't add anything to cover basic orchestral instruments (oboe) * Choir is OK, but I've been spoiled by the Vocal expansion board You may find that the best of the Pop (woodwinds in particular) will be covered quite adequately by the Orchestral (or II) when you get it. I guess a lot depends on the other instruments that you need to cover your song repetoire. I guess it would be helpful to hear more about that. I've also found the Super Sound Set to be a good value, but again, it depends on what else you need to do the job. The SSS provides more variety in acoustic guitar, for example. Hope this helps, but would like to hear a little more. -- pj (pjd@ives.lkg.dec.com) ________________________________________________________________________________________________ From:Greg To: jv1080 Thought somebody might benefit from this clip . . . > >What's BEST about the Session board? What are the cons? > What's best? Well, it's samples are quality. And yes, the pianos are > good for a synth. Alesis piano samples may be better to some. >There are some strings, flutes, choruses (chori?) , sax and trumpets >that sound good. Having more guitars is nice. There's a Nashville guitar > and a Clean Tele guitar that I like. They're similar to the stock >Clean > Guitar patch on the XP80. Roland still hasn't gotten the > distortion/overdrive guitars down (not as good as Taurus3's guitar > patch) but their usuable in different performances or with tweeking. > The board has some nice and interesting basses, then it goes into alot > of newer electronic dance patches - stacks, pads, voxes and leads, >that > are pretty nice. What's kinda weird is that from patch 231 thru 255, > patches are labeled "DEMO ____" and are instruments ranging from piano > (I like #231 DEMO Piano) to strings, brass, guitars, basses and a >couple > of effects sounds. Why they are called "DEMO" and why they are there >I don't know. > > Cons? I know it's a keyboard and not a guitar but the distortion & > overdrive guitars aren't as good as I think Roland could make them if > they spent alittle time on it. If you want a nice electric guitar >patch > download Taurus3's patch banks from Scott Nave's page at > http://www.csg-inc.com/xp80/patches.htm (thanks Scott!) and find his > delayed/flanged guitar patch. I think it's #11 in the first bank. > > Other cons? Well, at first I wanted alittle more variety in the >rhythm > kits, but they are slowly starting to grow on me. There are 8 kits > labeled Sessions 1 thru 7 and a DEMO kit. Lets see, there are two > fairly basic rock type kits, Sessions 1 & DEMO, then there are a >couple > of rock kits with differing snares, then there are a couple of dance > styled kits with 909 & 606 basses & snares. I don't have my card > booklet with me right now so I can't tell you specifically what the > names of the basses and snare are. > > All in all, I Like the board and recommend it for anyone with > interests in varying musical genres ranging from rock, pop, jazz to > dance. The samples are quality and most everyone should find >something on this board that they can use in their songs. Hope this >helps! Adios! ________________________________________________________________________________________________ Date: Sat, 09 Jan 1999 21:16:17 -0500 From: David Mikautadze To: "owner-jv1080-digest@emccta.com" Hello All, Just bought the Session X-board for $139 and I thank all of you who spread the good word about the "sale". I also have the Orchestral board. Here is my run down on the Session: Pianos: Good Strings: Decent (strings + choirs are good) Choirs: Good for commercial and jingle stuff, but maybe not so much for Orchestral/Film. Pads (Pad-like): Some of them are really kick ass. Brass: Good French Horn: Hardly any, thank God for the Orchestral Board!! Trumpet: Good Sax: OK but the "Super Tenor" patch is GREAT. Flute: Good, "Legato Flute" is fxxking incredible, this one should have been the Orchestral board!! Accordion: Good Nylon Guitar: Good, love "Nylon & Flt" Clean Electric Guitar: Good, "Duanne's Tone" is nice Dirty Electric Guitar: Decent, they could be better Bass: Lacking Up-right jazz bass, these basses geared towards Pop and Techno I think. SFX-type sounds: There is allot of these almost useless sounds to play around with, they can be useful for jingles, in general they are "use-sparingly-otherwie-annoying" type sounds. Rave/Techno/Pop/Dance: Anyone into the mentioned styles would like this board because it has allot of very useful sounds for those genres. Analog: Decent/Good Organs: Not enough/Decent Vibes: Poor/OK Overall: Enough useful patches making it worth it's low cost but for what I'm doing (Orchestral-Filmscoring/Jingles) there is allot of stuff here I would never use and if I paid the going price for the X-boards I would not be to happy and would try to get my money back, but I would definitely miss those Flutes. P.S. - All the above opinions are subject to change as time passes and my needs expand!!! (Who knows, one day I may test my skills and write that Techno song after all) Thanks, David ________________________________________________________________________________________________ Date: Fri, 26 Mar 1999 17:08:50 +0100 From: "Paul van den Berg" To: jv1080@admin.emccta.com > Actually, this is my first question, well at least this year. > I'm considering buying a piano-module, but before I do I would like some >input from this list about the piano-sounds on the Session-board (and the overall >quality of this board). I need some realistic pianos, not like the one in XP's B-bank. >If anyone's got the Asia-board, it would be nice to hear what you think of it too. IMHO the session board pianos are probably better then the internal ones (although the internal ones can be approved with some tweaking), but if you're looking for realistic pianos there probably gonna be disappointing. I've been trying to get a decent acoustic piano patch out of my JV1080, but for real solo playing it's just not good enough (the piano sounds can work fine when mixed in a song though). So like you I've been considering buying a piano-module as well, but haven't found anything that complements the JV by just producing a great acoustic piano for a decent price. If anyone has suggestions, please let me know. Paul van den Berg ________________________________________________________________________________________________ Date: Fri, 26 Mar 1999 10:47:57 +10 From: "Adam Hair" To: jv1080@admin.emccta.com CC: Robert Solheim > I'm considering buying a piano-module, but before I do I would like some > input from this list about the piano-sounds on the Session-board (and the > overall quality of this board). I need some realistic pianos, not like the one > in XP's B-bank. If anyone's got the Asia-board, it would be nice to hear > what you think of it too. I can't comment on the Asia-board, but I can on the session. You will need to be careful when it comes to buying the session board. I went down to Melbourne, and played with a 2080 that had a session board in it, and it sounded beautiful. I really liked the sound quite a lot. I decided to buy a session board (and so did a friend of mine). When we put the board into our XP's, it sounded different. Not nearly as nice as what I heard in Melbourne. Some people put this down to the 2080 having 3 efx, and that maybe the St. Concert Piano Sound was using the full 3, but talking to Roland, they stated that it only uses one efx. I have still kept my board (it has enought other nice sounds to compensate for the loss of the piano sound), but if I was after the board just for the piano sound, I would have sold it by now. If you have a 2080 - I think you will find that the sound is nice. If you have a XP, I'd suggest go down somewhere, and play on another XP, that has the session board in it to hear the sound first. Quite interestingly, the demo midi file that uses the session board rarely uses St Concert. (In one place I think... all the other piano sounds are internal ones). Personally, I have gone back to using the internal piano wave files over the session board. (Not the Preset ones though, modified piano sounds). If you would like to have a look on my site at: http://users.netconnect.com.au/~ahair/jvxp under the Patches -> Piano section you should find a few piano sounds to play around with, they _may_ be nice enough for you to use... HTH Adam

    SRJV80-10 Bass & Drums

    Subject: [jv1080] Re: B&D S&M Date: Fri, 03 Sep 1999 13:21:47 +0000 From: Paul Hodges To: "paul j. drongowski paul j. drongowski (dr. funk) wrote: > > Hi Paul --snip-- > Oh, now that's interesting about the "6 string" patch! I have the M-BD1 > module equivalent and have never had the patience to try different > key ranges, etc. I really wish that Roland would put this kind of > performance info into the manuals!!!!!! A user simply cannot reverse > engineer every darned patch on a board (let alone one of those > %^%^&* modules.) Yeah, it's particularly suprising because some Roland guy somewhere must have gone to the effort of setting up a split on the keyboard with differnet tone assignments on each range (don't even know how to do that myself). Having put the effort in, you'd think they would want to make the most of it. UNLESS, it was a mistake on their part and they left the 'slides' there by mistake. Possibly during the cloning of one patch to another. We'll never know..... Perhaps we could start a campaign for all the list members to share any other patch quirks they have found on this or other boards. You know, things that users become aware of through trial and error and over a period of time the quirks become ingrained in our memories. It might never occur to us that others might not know about them. To be honest, I assumed that everyone with the bass and drums board would know about the slide sounds further up the keyboard on the six string patch. I was wrong, and you learned something new - that's neat! Anyone else??? Regards Paul ________________________________________________________________________________________________ Subject: Re: Fw:Only one drum part? Date: Mon, 16 Aug 1999 15:01:07 -0600 From: "David R. Green" Hi Lee and List > Get a Korg TR-Rack if you want to use lots of drums. > > The drum sounds are WAY BETTER than the 1080/2080 > > Plus you can have drums on ANY MIDI CHANNEL, not just CH.10. > > So therefore you have complete independent control over your 16 drum > parts/volumes. The drums on the Expansion Boards, especially the B&D are very good. You can hear MP3 demos on the Li'l Chips web site. www.lilchips.com/roland/expansion/srjv80/index.asp Percussion/Drum Patches can be created, plus many of the Expansion Boards have Menus or Kits that can be used on ANY Part, allowing you to have drums on "ANY MIDI CHANNEL" also. You can have 16 Parts/Channels of Drums if you so choose. As mentioned previously, please see the Tutorial on the Li'l Chips web site concerning drums. www.lilchips.com/roland/synths/jvxp/tutorial.asp If you wish to have the sounds of the B&D board, but wish to have additional voices and parts beyond your existing JV/XP synth, look at the M-Series M-BD1 (info and MP3s are also on the Li'l Chips web site), it is a JV-80 with the SR-JV80 B&D waveforms. They can be found for around $150-200 US. Regards, David ________________________________________________________________________________________________ Subject: Bass&Drum Date: Wed, 23 Jun 99 08:31:10 -0400 From: pj The Bass&Drum board is not a "Drum&Bass" board in the sense of the musical genre known as "Drum&Bass." The drum and bass waveforms are most suitable for funk, fusion, jazz and rock. They're pretty high quality. Hope this helps -- pj ________________________________________________________________________________________________ Subject: Drum board Date: Mon, 21 Jun 99 09:03:17 -0400 From: pj I've got the module version (M-BD1) of the Bass&Drum expansion board. There are ten loops and a whole raft of single hits with main emphasis on the hits. The loops are in funk/fusion/jazz styles. I occasionally like to jam to the loops for fun, but like most loops they get tiresome after a while. There OK for "idea generation," too. The basses are a lot of fun, especially the bass harmonic stuff. Overall, the basses and drums best fit the funk/fusion/jazz styles. Rockers or dance maniacs might be disappointed. Just funkin' my life away -- pj ________________________________________________________________________________________________ Subject: RE: Drum board Date: Mon, 21 Jun 1999 10:26:52 -0700 From: "Gore, Shane" > The basses are a lot of fun, especially the bass harmonic stuff. > Overall, the basses and drums best fit the funk/fusion/jazz styles. > Rockers or dance maniacs might be disappointed. > There are lots of useable sounds for "rockers" IMHO. Dance/ Acid/ Trance/ Techno/ Rave (blah blah blah) will probably have to look elsewhere. Shane ________________________________________________________________________________________________ Subject: RE: Realistic Drums: A Dream Board Date: Tue, 15 Jun 1999 09:22:55 -0700 From: "Gore, Shane" Dan, You're not dreaming. I found everthing you described in the Roland Bass and Drums expansion board. Its realism is amazing and I've been able to fool almost all my musician friends. If you really want top notch drums, look at the Roland V-Drums (TD-7?). I wouldn't recommend the DMPro - dispite the hype and huge feature list, the drums are not realistic sounding at all (while responding to velocity). They've simply taken a single sample and applied a low-pass filter mapped to velocity. I was quite disappointed. It seemed that there wasn't a lot of thought put towards the kits. The Roland board is the exact opposite. There are several waveforms mapped to a kit and are apparent at different velocities. The actual timbre of the drum changes depending on how hard you "hit" it. Shane > Anyway, I've been getting back into sequencing lately, and I have a > "wish-list" idea. I would like to see an expansion board that has a drum set > on it that only has the basic instruments on it that 90% of all songs use. > Namely, bass, snare, toms, cymbals, and maybe cow bell. Each would have > several keys doing different things with the same basic sound. For instance, > the bass drum would have a different key for different velocities. I mean, a > sample of a bass drum being hit softly does not sound the same as a sample > of a bass drum being hit hard and just played on the keyboard with less > velocity. The snare could have flams, rolls, hits in the center, hits closer > to the rim, different rim shots, side sticks, different velocities, ghost > hits, etc. the same goes for the toms and cymbals. Drums would be almost > indisinguishable from the real thing if we had something like this. > > Whadaya think, am I dreaming? > > Dan Barnes ________________________________________________________________________________________________ From: "Benjamin R. Tubb" Bass & Drums (SR-JV80-10) ========================= For bass, it has the most nuance "imbedded" patch programming (velocity sensitivity and tone layering) for bass patches, and the largest quality and variety available (except for synth bass sounds ). The excellent bass samples (waveforms 1-90, patches 1-104) are from Marcus Miller (waveforms 1-18, 68-69), Abraham Laboriel (waveforms 19-36, 70, 74-82) and John Pattitucci (waveforms 37-63, 71-73, 83-90). For drums, waveforms 91-241 are used from Abe Laboriel Jr., and Bob Wilson, but are not identified between them except for one-measure looping drum groove waveforms 92-101 (similarly used and variably tempo changed as those on the Dance board). Among all the waveforms are the aforementioned 10 "grooves", 12 Menu, 47 Set, and 109 waveforms which have a reversed sound in the upper section of the keyboard. To me, the variety of drums and quality is VERY significant and useful. For example: 13 Kick waveforms 37 Snare waveforms 16 Hi-Hat waveforms (including 18" and 16") 15 Tom waveforms (including 16", 13", 12", and 10") 5 Cymbal waveforms 8 Rhythm Kits (Part 10 patches) 21 Drum KIT patches (129-149) 7 MENU Patches (105-111) 30 Individual Drum Patches 20 Kick&Cym patches (178-180,182-198) 5 HiHat patches (200-204) _______________________________________________________________________________________________ Date: Tue, 5 Aug 1997 16:35:25 -0500 From: "Benjamin R. Tubb" To: "Greg" On Tuesday, August 05, 1997 12:28 PM, you wrote: > Does the bass & drums have techno/electronic patches & drums? I thought > it was mostly acoustic? At least that's what some people were telling > me. Thanks! Yes it is ALL acoustic, but like I said, it is the "next best" (expansion board) available . And the Basses can be used for ANY style. And frankly, I think the drums are GREAT as are those from the Session and SSS boards. As to contents, here it is (you "really" wanted to know EVERYTHING, right?): ---------------------------------> Roland EXPANSION BOARD BASS& DRUMS SR-JV80-10 OWNER'S MANUAL Thank you for choosing the Roland SR-JV80-10 "Bass & Drums" Wave Expansion Board. This expansion board consists of bass and drum sounds created by five well-known musicians. Bass: Marcus Miller, Abraham Laroriel, John Patitucci Drums: Abe Laboriel Jr., Bob Wilson Bass sounds are slap, fingered, picking, fretless, harmonics and acoustic bass manners, various musical instruments. Waveforms which include slide and playing noise that serve to improve the bass performance expression and Patches. Drum sounds are phrase loops with drum patterns of groove touch and Waveforms with a combination of strong and weak percussion hits for 1 shot. As well as the Rhythm Set, it provides various Patches that can cope with the Drum Set or Velocity Mix/Switch, so that you can combine these Patches with the Rhythm Set and create highly expressive drum sounds. Waveforms: 241 Kinds The waveforms of this unit are selected from the CD-ROM's "BASS LEGEND", "BURNING GROOVES" and "LIQUID GROOVES" of Spectrasonics, the manufacture that has produced many high quality CD-ROM'S for S-series (sampler). Patches 204 kinds designed fort the JV-1080 & XP-50/80; another 197 for the JV-80/880/90/1000. (On the JD-990, you can use Patches designed to be used with the JV-80/880/90/1000 if you "Convert Load" them first.) Rhythm Sets 8 kinds designed for the JV-1080 & XP-50/80; another 2 for the JV- 90/1000. +---------------------------------------------------------------+ |The Rhythm Sets in this expansion board cannot be used with the| |JV-80/880 or JD-990. | +---------------------------------------------------------------+ The following are Menu Waveforms: 64 Sld&Nz MENU 65 Slides MENU 66 E.Bs Nz MENU 67 A.Bs Nz MENU 91 DrumGrv MENU 149 KIK MENU 163 SNR MENU 1 164 SNR MENU 2 165 SNR MENU 3 203 HAT MENU 220 TOM MENU 236 CYM MENU The following are Set Waveforms: 102-114 Kik&CymSET 115-136 SNR SET 137-143 HAT SET 144-148 TOM SET The following are Waveforms which have a reversed sound to the upper section of the keyboard. However on the JD-990, they will instead be sounded in the forward direction, since the instrument does not support reverse playback. Numbers: 68-90, 150-162, 166-202, 204-219, 221-235, and 237-241. Patches using Phrase Loop Waveforms are 115-128. The number appearing next to the Wave name for Phrase Loops (52 to 126) is the B.P.M.[beats per minute](tempo) when played at the C4 [middle C] key. Patches using the Set Waveforms are: 150-204. A B.P.M. Conversion Table is included (as for the Dance board) to allow RPN 1/2 controllers for coarse and fine tunning be used for changing the playback tempo of the included 115-128 Phrase Looped Patches (whose Waveform sources are 92-101). The Rhythm Kits included for the JV-1080, XP-50/80 are: 1) R&R rhythm 1 2) Funk SET 3) Natural SET 4) Slam SET 5) Ballad SET 6) Studio SET 7) R&R rhythm 2 8) Dance SET _______________________________________________________________________________________________ From: "Christian Krause" Jorge Silvestrini wrote on Sun, 6 Jul 1997 14:27:08 -0500: > I am planning to get the Bass and Drums but I > want to hear any comments. I own the 'Bass & Drums' board and I'm very satisfied with it because its sounds are miles ahead of every other synth on the market. Produced by Roland and Eric Persing's sampling company Spectrasonics (http://www.ilio.com/spectrasonics), it features bass sounds by Marcus Miller, Abe Laborial Sr., John Patitucci and drums by Abe Laboriel Jr., and Bob Wilson. The sounds are taken from the CD-ROM's "Bass Legend", "Burning Grooves" and "Liquid Grooves", the very best on the sampler market. The unit is most useful for Pop, Rock, Jazz, Funk etc. type of music, definitely not for current Techno and Dance. Most bass patches shine though they're as loud as hell because incomprehensibly few programs *aren't* produced with the parameter 'Wave Gain: +12' and we should all know what that means: Use an EQ or lower the sound considerably. Lots of bass patches are implemented as velocity splits so you can for example slap certain notes if you like. Playing noises are often included so these patches sound quite natural, especially in a performance setup. There are eight drumkits for different styles, *ten* drum loops and a lot of menu drum waveforms. Most of the drums are crunchy slam sounds (incl. flams, rolls) which are good if you prefer that over cleaner sounds. I - however - don't, but the bass samples alone are definitely worth it if you do not own a sampler. With the above CD-ROM's, you would get even more bang (MB) for the buck($). A programming tip: If you own expansion boards that contain drums and percussive sounds (for example Ethnic, Dance, Bass & Drums), copy your favourite sounds into a user drum kit so you've got all your sounds at your fingertips in one rhythm setup. _______________________________________________________________________________________________ Date: Thu, 25 Sep 1997 16:22:40 -0400 (EDT) From: Damon Fibraio For rock, try the Bass and drums board. You can also find rock-type drums on the Supersound set, and the session boards, but the bass/drums board has the best sounding natural drum sounds. The other sound more like 80s rock drums or drum machine triggers. No matter how many boards you shove into the 80, you still only have two user drum kits to play with. This sucks, but hey what can you do. _______________________________________________________________________________________________ Date: Thu, 16 Jul 1998 18:31:14 -0400 From: "Sherrod Swann" To: grooves99, Just my opinion, but the drums on the Drum & Bass card sound typically "Roland" to me. There is a tight